GuitarDistortedRiff60% confidence
Ultima iarnã Riff Guitar Tone Settings — Bucovina
Bucovina · 2010s+ · metal
studio
Original Recording
Guitar
Unknown (likely modern superstrat or Les Paul-style with humbuckers, as typical for Bucovina's genre and era)
Pickups
Humbucker (exact model unknown)
Amp
Marshall JCM800 (exact model confirmed in similar genre/era, but not explicitly cited for this song/recording)
Pickup Position
Bridge pickup
Studio recording, original release circa 2010s. No direct evidence for exact guitar/amp model for this specific recording, but Marshall JCM800 is a common choice for Eastern European metal bands and matches tone characteristics. No evidence for live-specific settings.
Amp Settings
Mids4
Bass7.5
Gain9
Reverb0.5
Treble6.5
Presence5.5
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Tone Character
- tight and percussive
- aggressive palm muting
- scooped mids
- high-gain saturation
- articulate riffing
- focused low end
- crisp treble
- minimal ambience
- modern metal clarity
- fast attack
Notes & Caveats
- No direct source confirms the exact guitar, pickup, or amp model for the studio recording of 'Ultima iarnã' by Bucovina.
- Amp settings are estimated based on Marshall JCM800 typical metal settings and genre/era conventions.
- No evidence found for specific pedals or effects used on this recording; settings inferred from genre and audible characteristics.
- No evidence of reverb, delay, or modulation effects in the riff section; tone is dry and focused.
- If more specific gear or settings are found in future sources, these should override these estimates.
- Settings cross-referenced with genre and era conventions for accuracy. Bucovina's 'Ultima iarnã' features a modern melodic black/folk metal tone: high gain but not extreme, tight low end, balanced mids (not scooped), and enough treble/presence for clarity without harshness. The production is dry and punchy, with minimal reverb, matching genre and era conventions.