Ultima iarnã — Bucovina1 / 2
Original RigYour Adaptation
GuitarDistortedRiff60% confidence

Ultima iarnã Riff Guitar Tone Settings — Bucovina

Bucovina · 2010s+ · metal

studio

Original Recording

Guitar
Unknown (likely modern superstrat or Les Paul-style with humbuckers, as typical for Bucovina's genre and era)
Pickups
Humbucker (exact model unknown)
Amp
Marshall JCM800 (exact model confirmed in similar genre/era, but not explicitly cited for this song/recording)
Pickup Position
Bridge pickup

Studio recording, original release circa 2010s. No direct evidence for exact guitar/amp model for this specific recording, but Marshall JCM800 is a common choice for Eastern European metal bands and matches tone characteristics. No evidence for live-specific settings.

Amp Settings

Mids
4
Bass
7.5
Gain
9
Reverb
0.5
Treble
6.5
Presence
5.5

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Tone Character

  • tight and percussive
  • aggressive palm muting
  • scooped mids
  • high-gain saturation
  • articulate riffing
  • focused low end
  • crisp treble
  • minimal ambience
  • modern metal clarity
  • fast attack

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickup, or amp model for the studio recording of 'Ultima iarnã' by Bucovina.
  • ⚠️Amp settings are estimated based on Marshall JCM800 typical metal settings and genre/era conventions.
  • ⚠️No evidence found for specific pedals or effects used on this recording; settings inferred from genre and audible characteristics.
  • ⚠️No evidence of reverb, delay, or modulation effects in the riff section; tone is dry and focused.
  • ⚠️If more specific gear or settings are found in future sources, these should override these estimates.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Bucovina's 'Ultima iarnã' features a modern melodic black/folk metal tone: high gain but not extreme, tight low end, balanced mids (not scooped), and enough treble/presence for clarity without harshness. The production is dry and punchy, with minimal reverb, matching genre and era conventions.

Sources