GuitarDistortedRiff80% confidence
TEK GECELİK - BOYNUZ TRACK - BERTARAF ET (Stadium Live Show) Guitar Tone Settings
Hayko Cepkin · 2010s+ · metal
live
Original Recording
Guitar
Unknown electric guitar (exact model not confirmed for this live show riff section)
Pickups
Unknown (likely humbuckers based on genre and tone, but not confirmed for this performance)
Amp
Line 6 Helix Stadium (amp modeler, used live for Stadium Live Show)
Pickup Position
Bridge pickup (inferred from aggressive, tight riff tone)
Live performance (Stadium Live Show), 2020s. No explicit confirmation of guitar or pickup model for this specific song/section. Amp is a digital modeler (Line 6 Helix Stadium) per live rig context.
Amp Settings
Mids5.5
Bass5.5
Gain7.5
Reverb2
Treble7
Presence6
Effects Chain
- Distortion/Overdrive (model unknown, likely amp modeler-based) · distortion
Guitar → Line 6 Helix Stadium (amp modeler, high-gain amp/cab sim, digital reverb) → PA
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Tone Character
- tight and percussive
- saturated high-gain
- articulate note separation
- aggressive pick attack
- focused low end
- crisp, cutting treble
- compressed dynamics
- modern digital clarity
- minimal ambience
- no audible modulation
Notes & Caveats
- No direct source confirms the exact guitar, pickup, or pedal models for this specific live riff section.
- Amp modeler (Line 6 Helix Stadium) is confirmed as part of the live rig, but specific amp/cab models and settings are not detailed in sources.
- Settings are estimated based on typical modern metal tones and the use of digital modelers in live stadium contexts.
- No explicit pedal or effect model is confirmed for this song/section; effects list is based on audible characteristics and genre conventions.
- If more specific rig rundown or live pedalboard photos become available, update this entry.
- Settings cross-referenced with genre and era conventions for accuracy. Hayko Cepkin's live stadium tone for this track is modern, aggressive, and tight, with high gain for clarity and punch, controlled bass to avoid muddiness, balanced mids for cut, and slightly boosted treble/presence for articulation. Reverb is minimal to keep the riff section dry and focused, matching modern Turkish alternative/metal production conventions.