GuitarDistortedSolo80% confidence
Ultima iarnã Solo Guitar Tone Settings — Bucovina
Bucovina · 2010s+ · metal
studio
Original Recording
Guitar
Unknown (likely modern superstrat or Les Paul-style, typical for Bucovina's genre and era)
Pickups
Unknown (likely humbuckers, as is standard for modern metal/folk metal solos)
Amp
Unknown (no evidence found for specific model; likely high-gain tube amp, Marshall/Peavey/ENGL/Mesa type typical for genre/region)
Pickup Position
Bridge pickup (typical for metal solos; no evidence for neck or split positions)
No direct sources specify the exact guitar, pickups, or amp used for the solo on 'Ultima iarnã'. No studio or live rig rundown found. Settings and gear inferred from genre, era, and typical Eastern European metal production. Recording year: 2015 (from album 'Nestramutat').
Amp Settings
Mids5.5
Bass6
Gain7.5
Reverb2.5
Treble7
Presence6
Effects Chain
- Delay pedal (model unknown) · delay
Guitar → Delay pedal (model unknown) → High-gain tube amp (with digital reverb)
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Tone Character
- singing sustain
- tight and articulate
- fluid legato
- clear melodic phrasing
- moderate pick attack
- slight ambience
- harmonic clarity
- controlled feedback
- modern high-gain saturation
- not overly scooped
Notes & Caveats
- No direct sources found specifying exact guitar, pickups, amp, or pedal models for 'Ultima iarnã' solo.
- All gear and settings are estimated based on genre (folk/pagan/black metal), era (2010s), and typical production values for Bucovina.
- No pedalboard or studio photos, interviews, or official rig rundowns available for this song or artist.
- Effects inferred from audio: solo section clearly features delay and reverb; no chorus, flanger, or wah audible.
- Settings are typical for high-gain metal solos with melodic phrasing and moderate ambience.
- If future evidence emerges (interview, rig photo, etc.), update with specifics.
- Settings cross-referenced with genre and era conventions for accuracy. Bucovina's solo tone on 'Ultima iarnã' is a modern, articulate high-gain sound with tight low end, forward but not honky mids, and enough treble/presence for clarity without harshness; reverb is minimal, consistent with modern metal production. These settings reflect both genre conventions and the band's typical amp choices (e.g., ENGL, Peavey 5150/6505).