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Melekler Ölmez — mor ve ötesi1 / 2
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Melekler Ölmez Solo Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2010s+ · rock

studio

Original Recording

Guitar
Gibson Les Paul Classic
Pickups
Humbuckers (Gibson stock, likely 498T bridge/490R neck)
Amp
Marshall JCM2000 TSL 100 Triple Super Lead
Pickup Position
Bridge pickup

Gear confirmed via Equipboard for 'Melekler Ölmez' era; settings estimated due to lack of explicit studio documentation. Focus is on studio recording, 2020s (Saygi1, Canlı Senfonik).

Amp Settings

Mids
7
Bass
6
Gain
6.5
Reverb
3.5
Treble
6.5
Presence
6

Effects Chain

  • Way Huge Electronics Green Rhino MkII Overdrive · overdrive
  • MXR M68 Uni-Vibe · modulation
  • Boss DM-2W Delay Waza Craft · delay
  • MXR MC401 Boost/Line Driver · boost

Gibson Les Paul Classic → Green Rhino MkII Overdrive → MXR M68 Uni-Vibe → Boss DM-2W Delay → MXR MC401 Boost/Line Driver → Marshall JCM2000 TSL 100

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Tone Character

  • singing sustain
  • warm midrange
  • clear note separation
  • slight overdrive
  • articulate lead tone
  • touch-sensitive
  • dynamic response
  • moderate compression
  • open and expressive
  • melodic phrasing

Notes & Caveats

  • ⚠️No explicit amp knob settings found for this song/solo; settings estimated based on Marshall JCM2000 typical rock usage and genre/era.
  • ⚠️Pedal usage inferred from Equipboard and typical live/studio setups; exact pedal order and settings not documented for this specific solo.
  • ⚠️Pickup selection inferred from typical lead/solo tone and Les Paul usage; not visually confirmed for this solo.
  • ⚠️No explicit evidence of effects loop usage or amp-based effects in studio; reverb/delay assumed from pedalboard and audible characteristics.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo in 'Melekler Ölmez' features a saturated, singing lead tone typical of mid-2000s Turkish alternative rock, with enough gain for sustain but not into metal territory. The mids are forward for melodic clarity, bass is moderate to avoid muddiness, and treble/presence are balanced for cut without harshness. Reverb is subtle, matching the song's polished but not overly ambient production.

Sources