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Sevda Çiçeği — mor ve ötesi1 / 2
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Sevda Çiçeği Riff Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2000s · rock

studio

Original Recording

Guitar
Fender Kurt Cobain Signature Jag-Stang
Pickups
Single-coil (neck), humbucker (bridge)
Amp
Roland JC-120 Jazz Chorus
Pickup Position
Bridge pickup (humbucker)

Studio recording, circa 2004 (Dünya Yalan Söylüyor album). Gear selection based on Equipboard and band sound profiles for this era. No direct studio photo for this song, but Jag-Stang and JC-120 are repeatedly cited as core to the band's signature riff tones.

Amp Settings

Mids
6.5
Bass
6
Gain
5
Reverb
3.5
Treble
6.5
Presence
6

Effects Chain

  • Ibanez TS808 Tube Screamer · overdrive
  • MXR M68 Uni-Vibe · modulation

Fender Jag-Stang (bridge pickup) → Ibanez TS808 Tube Screamer → MXR M68 Uni-Vibe (optional/subtle) → Roland JC-120 Jazz Chorus (chorus and reverb on)

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Tone Character

  • bright and articulate
  • tight and percussive
  • dynamic attack
  • clear note separation
  • slightly compressed
  • crisp highs
  • focused midrange
  • subtle ambient depth
  • edge-of-breakup clarity
  • punchy rhythm

Notes & Caveats

  • ⚠️No direct studio photo or interview confirming exact pedal/amp settings for 'Sevda Çiçeği' riff; settings estimated based on typical JC-120 usage and band’s cited gear for this album.
  • ⚠️Pedal usage inferred from Equipboard and band’s signature sound; no explicit studio chain for this song.
  • ⚠️No explicit pickup selector position for this riff, but bridge humbucker is most likely for main riff edge.
  • ⚠️Settings are estimated based on genre, amp model, and era; no numeric settings found in sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff tone in 'Sevda Çiçeği' is classic Turkish alternative rock: crunchy but not high-gain, with forward mids and balanced low end, typical of Mor ve Ötesi's 2000s-era Marshall/VOX-style amp sounds. The reverb is subtle, just enough for space, and the presence is set for clarity without harshness.

Sources