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Cambaz — mor ve ötesi1 / 2
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Cambaz Solo Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2000s · rock

studio

Original Recording

Guitar
Fender Kurt Cobain Signature Jag-Stang
Pickups
Single-coil (neck), humbucker (bridge) – likely bridge humbucker for solo
Amp
Roland JC-120 Jazz Chorus
Pickup Position
Bridge pickup (humbucker)

Gear based on Equipboard listings for mor ve ötesi and Kerem Özyegen; no direct studio session info for 'Cambaz' solo, but these are the most cited models for the era and band. Studio recording, album released 2004.

Amp Settings

Mids
6.5
Bass
6
Gain
6.5
Reverb
3.5
Treble
6.5
Presence
6

Effects Chain

  • Ibanez TS808 Tube Screamer · overdrive
  • Boss DM-2W Delay Waza Craft · delay

Fender Kurt Cobain Jag-Stang → Ibanez TS808 Tube Screamer → Boss DM-2W Delay → Roland JC-120 Jazz Chorus (with spring reverb)

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Tone Character

  • warm and overdriven
  • singing sustain
  • clear attack
  • ambient delay tail
  • moderate compression
  • articulate lead lines
  • slightly scooped mids
  • bright but not harsh
  • dynamic response
  • rich harmonic content

Notes & Caveats

  • ⚠️No direct studio documentation for 'Cambaz' solo section; gear inferred from most-cited models for band and era.
  • ⚠️Amp and pedal settings estimated based on typical Roland JC-120 and Tube Screamer/overdrive usage in modern rock.
  • ⚠️Pickup choice inferred from solo tone and typical practice for lead sections.
  • ⚠️Pedal order and exact settings not confirmed for this specific recording.
  • ⚠️Delay is clearly audible in the solo, but exact pedal model and settings are not confirmed; Boss DM-2W Delay and Ibanez TS808 Tube Screamer are listed as used by the band.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo in 'Cambaz' features a classic rock/hard rock crunch with a slightly saturated, mid-forward tone typical of early 2000s Turkish alternative rock. Mor ve Ötesi often used Marshall-style amps with moderate gain, balanced EQ, and subtle reverb for clarity and presence without harshness.

Sources