Deli — mor ve ötesi1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Deli Riff Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2000s · rock

studio

Original Recording

Guitar
Fender Kurt Cobain Signature Jag-Stang
Pickups
Single-coil (neck), custom humbucker (bridge)
Amp
Fender 'Black Panel' Twin Amp
Pickup Position
Bridge pickup (custom humbucker)

Studio recording for Eurovision 2008, riff section. Guitar and amp confirmed by Equipboard and Eurovision performance video. No explicit studio pedalboard photo, but pedal usage inferred from multiple sources and genre. Year: 2008.

Amp Settings

Mids
6.5
Bass
5.5
Gain
6.5
Reverb
3
Treble
7
Presence
6

Effects Chain

  • Ibanez TS9DX Turbo Tube Screamer · overdrive
  • TC Electronic Vintage Delay · delay

Fender Jag-Stang → Ibanez TS9DX Turbo Tube Screamer → TC Electronic Vintage Delay → Fender Twin Amp (spring reverb on)

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Tone Character

  • rich and textured
  • dynamic and melodic
  • clarity and edge
  • warm, overdriven leads
  • tight rhythm foundation
  • articulate attack
  • slightly compressed
  • punchy midrange
  • moderate sustain
  • not overly saturated

Notes & Caveats

  • ⚠️No explicit numeric amp or pedal settings for 'Deli' studio recording found; amp and pedal settings estimated based on typical Fender Twin + Tube Screamer rock setup and genre/era.
  • ⚠️Pedalboard photos and gear lists confirm pedal models but not exact settings or signal chain order for this specific recording.
  • ⚠️Pickup selector inferred as bridge humbucker based on tone and genre; not explicitly stated in sources.
  • ⚠️Effects list based on confirmed gear and what is audibly present in the recording; some pedal models inferred from artist's known setup for this era.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff in 'Deli' features a crunchy, saturated modern rock tone with clear midrange punch, tight but not boomy lows, and enough top-end to cut through without harshness. Mor ve ötesi typically use British-voiced amps (Marshall/Orange), and this era's Turkish alt-rock production favors a dry, upfront guitar sound with minimal reverb.

Sources