TonesMatch
Eski Şarkısı — mor ve ötesi1 / 2
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GuitarDistortedSolo80% confidence

Eski Şarkısı Solo Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2010s+ · rock

studio

Original Recording

Guitar
PRS S2 Singlecut
Pickups
PRS S2 Singlecut stock humbuckers
Amp
Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head
Pickup Position
Bridge pickup

No direct studio documentation for 'Eski Şarkısı' solo, but Equipboard and live evidence show Kerem Özyegen using PRS S2 Singlecut and Marshall JCM2000 TSL 100 as his main setup for this era. Pedalboard evidence from the same period includes Boss DD-3 Delay and Way Huge Green Rhino MkII Overdrive. Studio vs live not explicitly stated; settings estimated for studio context based on genre and era.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
2.5
Treble
6.5
Presence
6

Effects Chain

  • Way Huge Electronics Green Rhino MkII Overdrive · overdrive
  • Boss DD-3 Digital Delay · delay

PRS S2 Singlecut → Way Huge Green Rhino MkII Overdrive → Boss DD-3 Digital Delay → Marshall JCM2000 TSL 100

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Tone Character

  • singing sustain
  • smooth overdrive
  • articulate upper mids
  • clear note separation
  • slightly compressed
  • warm but present top end
  • dynamic response to picking
  • delay repeats in solo
  • moderate gain
  • touch-sensitive phrasing

Notes & Caveats

  • ⚠️No direct studio documentation for 'Eski Şarkısı' solo section; gear and settings inferred from live pedalboard photos and typical setup for Kerem Özyegen in this era.
  • ⚠️Amp and pedal settings estimated based on Marshall JCM2000 TSL 100 typical rock lead settings and genre/era conventions.
  • ⚠️No explicit pickup selector position found; bridge pickup inferred from solo tone characteristics.
  • ⚠️Pedal settings not specified in sources; delay and overdrive pedal use confirmed by pedalboard evidence, but knob values estimated.
  • ⚠️Reverb assumed to be low, as Marshall JCM2000 has no built-in reverb; any reverb likely from pedal or studio.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo tone in 'Eski Şarkısı' is classic rock with a smooth, mid-forward crunch, typical of mor ve ötesi's 2000s-era alternative rock sound. Their gear and production favor British-voiced amps (like Marshall), moderate gain, present mids, and subtle ambience, matching these settings.

Sources