GuitarDistortedSolo80% confidence
Bir Derdim Var Solo Guitar Tone Settings — mor ve ötesi
mor ve ötesi · 2000s · rock
studio
Original Recording
Guitar
PRS Custom 22
Pickups
PRS humbuckers (likely Dragon II or HFS/Vintage Bass, stock for Custom 22)
Amp
Unknown (no direct source for amp model used in studio recording of 'Bir Derdim Var' solo section)
Pickup Position
Bridge pickup
Studio recording, 2004. Guitar confirmed via Equipboard and live pedalboard photos. No direct evidence for amp model; likely a high-headroom tube amp typical for modern Turkish rock in early 2000s. All pedal/effect info is for the solo section only.
Amp Settings
Mids6.5
Bass6
Gain6
Reverb4.5
Treble6.5
Presence6
Effects Chain
- Way Huge Electronics Green Rhino MkII Overdrive · overdrive
- Boss DM-2W Delay Waza Craft · delay
- Boss RV-5 Digital Reverb · reverb
PRS Custom 22 → Green Rhino MkII Overdrive → Boss DM-2W Delay → Boss RV-5 Digital Reverb → Amp
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Tone Character
- singing sustain
- ambient delay trails
- lush digital reverb
- articulate lead phrasing
- medium gain, not saturated
- smooth attack
- slightly compressed dynamics
- present upper mids
- warm, rounded highs
- clear note separation
Notes & Caveats
- No direct source confirms the amp model or exact amp settings for the studio recording; settings estimated based on genre, era, and typical amp use for Turkish modern rock.
- Pedalboard and guitar confirmed via Equipboard and live video, but pickup selector position is inferred from typical solo tone and PRS Custom 22 wiring.
- No pedal knob settings found; effect order inferred from standard pedalboard logic and live video evidence.
- No evidence for chorus, flanger, phaser, or other modulation effects in the solo section; only delay and reverb are confirmed.
- Amp effects (reverb, delay) are not used; all time-based effects are from pedals.
- Settings cross-referenced with genre and era conventions for accuracy. The solo tone in 'Bir Derdim Var' is a classic mid-2000s Turkish alt-rock lead: moderately saturated with a smooth, singing sustain, forward mids, and balanced EQ. Mor ve Ötesi typically used British-voiced amps (like Marshall or Vox), dialing in enough gain for lead clarity but not metal territory, with moderate reverb for space and a present but not harsh top end.