TonesMatch
Bir Derdim Var — mor ve ötesi1 / 2
Original RigYour Adaptation
GuitarCleanSolo80% confidence

Bir Derdim Var Solo Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2000s · rock

studio

Original Recording

Guitar
PRS Custom 22
Pickups
PRS humbuckers (likely Dragon II or HFS/Vintage Bass, stock for Custom 22)
Amp
Unknown (no explicit source for amp model on studio recording of 'Bir Derdim Var')
Pickup Position
Neck pickup

Studio recording, 2004. Guitar confirmed from Equipboard for this album/session. No explicit amp model found for the studio recording; live performances sometimes use Marshall or Fender amps, but not confirmed for this track. All pedal/effects info is for studio/album context unless otherwise noted.

Amp Settings

Mids
6.5
Bass
5.5
Gain
0
Reverb
4.5
Treble
6.5
Presence
5.5

Effects Chain

  • Boss RV-5 Digital Reverb · reverb
  • Boss DM-2W Delay Waza Craft · delay
  • MXR M101 Phase 90 · phaser

PRS Custom 22 → Boss RV-5 Digital Reverb → Boss DM-2W Delay → (possibly) MXR Phase 90 → Amp

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Tone Character

  • warm and smooth
  • clear and articulate
  • lush ambient reverb
  • subtle analog delay repeats
  • slightly compressed attack
  • singing sustain (from delay/reverb, not gain)
  • shimmering highs
  • full-bodied neck pickup sound
  • open and dynamic
  • studio-polished clean

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️No explicit amp model or amp settings found for the studio recording; amp settings estimated based on typical PRS + clean amp (Marshall or Fender) for 2000s rock.
  • ⚠️Pedal/effects models are confirmed for the album era but not always for the exact solo section; settings are estimated.
  • ⚠️Pickup choice inferred from typical clean solo tone and PRS Custom 22 usage.
  • ⚠️No explicit studio signal chain or effects order found; order inferred from standard practice and pedalboard layouts.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo tone in 'Bir Derdim Var' is a classic mid-2000s Turkish alt-rock lead: moderately saturated, with forward mids, balanced bass, and enough treble/presence to cut but not sound harsh. Mor ve Ötesi typically used British-style amps (Marshall/VOX), favoring a crunchy, singing lead with subtle ambience, matching these settings.

Sources