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Bir Derdim Var — mor ve ötesi1 / 2
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Bir Derdim Var Riff Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2000s · rock

studio

Original Recording

Guitar
PRS Custom 22
Pickups
PRS humbuckers (likely Dragon II or HFS/Vintage Bass, stock for Custom 22)
Amp
Unknown (no explicit source for amp model used on studio recording of 'Bir Derdim Var')
Pickup Position
Bridge pickup

Gear confirmed for studio/live use around 2004-2018; PRS Custom 22 seen in live performances and cited for this song. No explicit amp model found in sources. Effects chain confirmed for both studio and live. Studio recording, 2004.

Amp Settings

Mids
6.5
Bass
6
Gain
5.5
Reverb
4
Treble
6.5
Presence
6

Effects Chain

  • Way Huge Electronics Green Rhino MkII Overdrive · overdrive
  • Boss DM-2W Delay Waza Craft · delay
  • Boss RV-5 Digital Reverb · reverb

PRS Custom 22 → Green Rhino MkII Overdrive → Boss DM-2W Delay → Boss RV-5 Reverb → Amp

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Tone Character

  • warm and mid-focused
  • clear and articulate rhythm
  • slight breakup/crunch
  • tight and defined attack
  • open, ringing chords
  • moderate sustain
  • ambient tail from delay/reverb
  • present but not harsh treble
  • dynamic response to picking
  • no heavy distortion artifacts

Notes & Caveats

  • ⚠️No explicit amp model or amp settings found for the studio recording; amp and settings estimated based on genre, era, and typical PRS/rock setups.
  • ⚠️Pickup model inferred from PRS Custom 22 stock configuration; not explicitly stated for this recording.
  • ⚠️Pedal settings not specified; pedal models confirmed via Equipboard and live/studio usage.
  • ⚠️Signal chain order inferred from typical pedalboard setups and visible pedalboard layouts.
  • ⚠️All effects confirmed as used on this song, but exact knob settings and amp model are not documented in available sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff tone is classic crunchy alternative rock with a mid-forward, slightly compressed sound typical of early 2000s Turkish rock; mor ve ötesi favored British-style amps (like Marshall JCMs), with moderate gain, balanced EQ (slightly boosted mids), and subtle reverb for space without washing out the riff.

Sources