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Aşk İçinde — mor ve ötesi1 / 2
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Aşk İçinde Riff Guitar Tone Settings — mor ve ötesi

mor ve ötesi · 2000s · rock

studio

Original Recording

Guitar
Fender Kurt Cobain Signature Jag-Stang
Pickups
Stock Jag-Stang pickups (single-coil neck, humbucker bridge)
Amp
Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head
Pickup Position
Bridge pickup

Studio recording, 2000s era. Guitar and amp confirmed as part of mor ve ötesi's studio setup for this era and style. No direct evidence for alternate guitars or amps on 'Aşk İçinde' riff section.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
3
Treble
6.5
Presence
6

Effects Chain

  • Ibanez TS808 Tube Screamer · overdrive
  • Way Huge Electronics Green Rhino MkII Overdrive · overdrive
  • Boss DM-2W Delay Waza Craft · delay
  • Boss RV-5 Digital Reverb · reverb

Fender Kurt Cobain Jag-Stang → Ibanez TS808 → Green Rhino MkII → Boss DM-2W Delay → Boss RV-5 Reverb → Marshall JCM2000 TSL 100

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Tone Character

  • rich and textured
  • dynamic and melodic
  • clarity and edge
  • warm, overdriven
  • crunchy rhythm
  • articulate attack
  • moderate sustain
  • slightly ambient
  • tight and focused
  • subtle harmonic content

Notes & Caveats

  • ⚠️No direct source confirms the exact pedal/amp settings or pickup selector for 'Aşk İçinde' riff section; settings estimated based on typical Marshall JCM2000 usage in 2000s Turkish rock.
  • ⚠️No pedalboard photo or interview directly tied to this specific recording; pedal choices inferred from era-appropriate and band-confirmed gear.
  • ⚠️No explicit mention of effects loop usage or exact signal chain order for this song.
  • ⚠️No evidence of alternate guitars or amps used for this riff section; defaulting to most-cited studio gear.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff in 'Aşk İçinde' features a classic crunchy alternative rock tone, with moderate gain and forward mids typical of mor ve ötesi's sound from this era. The bass is full but not boomy, treble is present but not harsh, and reverb is subtle—matching both Turkish rock conventions and their likely use of British-voiced amps (like Marshall or Vox) with moderate settings.

Sources