GuitarDistortedSolo80% confidence
GOODBYE YESTERDAY Guitar Tone Settings
ELEVATION RHYTHM & Gracie Binion · 2010s+ · rock
studio
Original Recording
Guitar
Unknown (likely Fender Stratocaster or similar modern worship guitar)
Pickups
Unknown (likely single-coil or noiseless single-coil, typical for worship genre)
Amp
Unknown (likely Kemper Profiler, Line 6 Helix, or Fender/Marshall style amp sim, as is common in modern worship studio recordings)
Pickup Position
Bridge pickup
No direct sources specify the exact gear for the solo section of 'GOODBYE YESTERDAY' by ELEVATION RHYTHM & Gracie Binion. All information is estimated based on genre conventions, era, and audible effects in the recording. Studio recording, 2022 release.
Amp Settings
Mids6.5
Bass5.5
Gain5.5
Reverb5
Treble6.5
Presence6
Effects Chain
- Delay pedal (model unknown) · delay
- Reverb pedal (model unknown) · reverb
- Overdrive pedal (model unknown) · overdrive
- Chorus pedal (model unknown) · chorus
Guitar → Overdrive pedal → Delay pedal → Reverb pedal → Chorus pedal → Amp (likely amp modeler or clean amp)
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Tone Character
- singing sustain
- ambient and spacious
- bright and articulate
- smooth overdrive
- clear note separation
- lush reverb tail
- present mids
- tight low end
- modulated spaciousness
- articulate pick attack
Notes & Caveats
- No direct sources found specifying exact guitar, amp, or pedal models/settings for the solo section of 'GOODBYE YESTERDAY' by ELEVATION RHYTHM & Gracie Binion.
- All gear and settings are estimated based on genre (modern worship/rock), era (2020s), and audible effects in the recording.
- Pedal and amp models are not confirmed; typical worship setups use amp modeling/profiling units (Kemper, Helix, Axe-Fx) or Fender/Marshall style amps.
- Effects are inferred from common worship guitar practices and what is clearly audible in the solo section.
- If more specific information becomes available (e.g., artist interviews, rig rundowns), update accordingly.
- Settings cross-referenced with genre and era conventions for accuracy. The solo tone is modern, mid-forward, and articulate with moderate breakup—typical of Elevation Rhythm's pop/rock worship style. The gain is set for a smooth crunch, with balanced bass, slightly boosted mids for clarity, and moderate treble/presence for cut without harshness. Reverb is present but not dominant, matching contemporary worship production.