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GOODBYE YESTERDAY — ELEVATION RHYTHM & Gracie Binion1 / 2
Original RigYour Adaptation
GuitarCleanRiff64% confidence

GOODBYE YESTERDAY Guitar Tone Settings

ELEVATION RHYTHM & Gracie Binion · 2010s+ · other

studio

Original Recording

Guitar
PRS DGT SE
Pickups
PRS DGT SE humbuckers (split coil possible, but not confirmed for riff section)
Amp
Neural DSP Quad Cortex (amp model unknown, used as amp/cab sim for clean tone)
Pickup Position
Neck pickup (likely, based on warmth and fullness of clean tone in riff section)

Gear confirmed from Teacher Eryll's cover video (Source 4), which is the only source showing a full playthrough and pedalboard for this song. No official studio session details found; likely similar to live/cover setups. Recording year: 2024.

Amp Settings

Mids
6
Bass
6
Gain
2.5
Reverb
5
Treble
7
Presence
6

Effects Chain

  • Reverb (model unknown, likely Quad Cortex built-in) · reverb
  • Compressor (model unknown, likely Quad Cortex built-in) · compression

PRS DGT SE → Compressor (Quad Cortex) → Reverb (Quad Cortex) → Amp/Cab Sim (Quad Cortex)

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Tone Character

  • bright and chimey
  • clear note separation
  • slightly compressed
  • ambient reverb tail
  • articulate attack
  • warm low end
  • present but not harsh highs
  • dynamic response
  • mildly scooped mids
  • modern worship clean

Notes & Caveats

  • ⚠️No official studio session or rig rundown found; gear and settings inferred from cover video (Source 4) and typical modern worship clean tones.
  • ⚠️Amp model within Quad Cortex not specified; settings estimated based on genre and audible tone.
  • ⚠️No explicit pickup position stated; neck pickup inferred from tone characteristics.
  • ⚠️Pedal models not specified; only Quad Cortex unit shown, which may include built-in effects.
  • ⚠️Settings are estimated based on typical worship clean tones and what is audible in the referenced videos.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff section features a clean, slightly gritty pop/modern worship tone with forward mids and a balanced EQ, typical of Elevation Rhythm's production. The amp is set just at the edge of breakup for clarity and punch, with moderate reverb for space and presence for articulation, matching genre and era conventions.

Sources