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ความรักทำให้คนตาบอด (ซนซน 40 ปี GMM GRAMMY) — Three Man Down1 / 2
Original RigYour Adaptation
GuitarDistortedSolo50% confidence

ความรักทำให้คนตาบอด (ซนซน 40 ปี GMM GRAMMY) Guitar Tone Settings

Three Man Down · 2010s+ · rock

studio

Original Recording

Guitar
Fender Stratocaster (exact model unknown, likely modern Mexican or American Standard based on artist's typical gear in recent years)
Pickups
Single-coil (stock Fender Stratocaster pickups, model unknown)
Amp
Fender Hot Rod Deluxe (likely, based on common Thai pop/rock setups and visible amp types in live videos, but not confirmed for this studio recording)
Pickup Position
Bridge pickup

Studio recording, 2023 (for the ซนซน 40 ปี GMM GRAMMY project). No direct evidence of exact gear for this solo; inference based on genre, era, and typical Thai pop/rock production. No pedalboard or amp settings shown in available sources.

Amp Settings

Mids
6.5
Bass
5.5
Gain
6
Reverb
4.5
Treble
6.5
Presence
6

Effects Chain

  • Overdrive pedal (model unknown) · overdrive
  • Delay pedal (model unknown) · delay

Fender Stratocaster → Overdrive pedal → Delay pedal → Fender Hot Rod Deluxe (with spring reverb)

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Tone Character

  • singing sustain
  • smooth and melodic lead
  • moderate gain with clarity
  • slightly compressed attack
  • articulate single notes
  • clear note separation
  • touch-sensitive response
  • not overly saturated
  • dynamic pick attack
  • warm upper mids

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, amp, or pedal models/settings for this specific solo recording.
  • ⚠️Gear and settings are estimated based on typical Thai pop/rock production, visible live gear, and genre/era conventions.
  • ⚠️No pedalboard or amp settings are shown in available sources; all effects are inferred from the solo's audio characteristics.
  • ⚠️If more specific studio information becomes available, these values should be updated.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo tone is modern, smooth, and singing with moderate gain—crunchy but not saturated—typical of Three Man Down's pop-rock ballad style. Mids are pushed for lead clarity, bass and treble are balanced, presence adds air, and reverb is subtle for ambience without washing out the tone.

Sources