ความรักทำให้คนตาบอด (ซนซน 40 ปี GMM GRAMMY) — Three Man Down1 / 2
Original RigYour Adaptation
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ความรักทำให้คนตาบอด (ซนซน 40 ปี GMM GRAMMY) Guitar Tone Settings

Three Man Down · 2010s+ · rock

studio

Original Recording

Guitar
Fender Stratocaster (exact model unknown, likely modern Mexican or American Standard based on genre and era)
Pickups
Fender single-coil pickups (stock or similar, exact model unknown)
Amp
Fender-style clean amp (exact model unknown, likely Fender Twin Reverb or similar clean amp used in modern Thai pop/rock studio recordings)
Pickup Position
Position 4 (neck + middle)

Studio recording, 2023 (from 'ซนซน 40 ปี GMM GRAMMY' project). No direct evidence of live rig or alternate gear for this section. No official rig rundown or pedalboard photo found for this specific song/section.

Amp Settings

Mids
5.5
Bass
5.5
Gain
0
Reverb
4.5
Treble
7
Presence
6

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Tone Character

  • bright and glassy
  • articulate single-coil attack
  • clear note separation
  • dynamic and percussive
  • slightly scooped mids
  • warm low end
  • subtle amp reverb
  • modern pop/rock clean
  • no audible drive or crunch
  • responsive to picking dynamics

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️No official rig rundown, pedalboard photo, or studio notes found for this song/section.
  • ⚠️Guitar, amp, and settings are estimated based on genre, era, and typical Thai pop/rock studio practices.
  • ⚠️No evidence of pedals or effects other than amp reverb; no delay, chorus, or modulation audible in the clean riff section.
  • ⚠️Pickup position inferred from typical Strat clean tone and audio characteristics.
  • ⚠️Settings are estimated based on standard Fender clean amp practices for modern pop/rock.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff tone is a modern, slightly crunchy pop-rock sound with clear articulation and moderate warmth, typical of Three Man Down's style. The gain is set to a crunchy edge, with balanced bass and mids for body, slightly boosted treble for clarity, moderate presence for air, and subtle reverb for ambience without washing out the riff.

Sources