GuitarDistortedRiff80% confidence
Whatever's Going On Guitar Tone Settings — The Special Goodness
The Special Goodness · 2000s · rock
studio
Original Recording
Guitar
Fender Stratocaster (model not fully confirmed, but highly likely based on band/era/artist's known gear)
Pickups
Single-coil (likely Fender stock single-coils)
Amp
Fender Hot Rod Deluxe (estimated based on genre, era, and typical indie/alternative rock setups; no direct source found for this song/recording)
Pickup Position
Bridge pickup (likely, for bright and punchy rhythm)
Studio recording, released 2003 (album: Land Air Sea). No direct evidence of alternate guitars or amps for this riff section. No live/touring rig info relevant to this recording.
Amp Settings
Mids6.5
Bass6
Gain5.5
Reverb3.5
Treble6.5
Presence5.5
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Tone Character
- bright and punchy
- slightly gritty edge
- articulate single-coil clarity
- tight, percussive attack
- open and dynamic
- modest breakup
- present mids
- subtle spring reverb ambience
- no modulation effects
- classic indie/alt-rock rhythm
Notes & Caveats
- No direct sources found specifying exact guitar, amp, or pedal models/settings for this song/recording.
- All gear and settings are estimated based on genre, era, and typical setups for The Special Goodness and Patrick Wilson's known preferences.
- No evidence of pedals or effects beyond possible amp spring reverb; no modulation or time-based effects are audible in the riff section.
- If more specific studio documentation or interviews surface, these estimates should be updated.
- Settings cross-referenced with genre and era conventions for accuracy. Patrick Wilson (The Special Goodness) typically uses classic rock crunch tones with moderate gain, balanced EQ, and minimal reverb. The riff section has a punchy, mid-forward sound with tight low end and clear but not harsh highs, consistent with a mid-2000s alternative/rock production.