GuitarDistortedSolo80% confidence
We're Just In Time Solo Guitar Tone Settings — Choosing Sides
Choosing Sides · 2010s+ · rock
studio
Original Recording
Guitar
Unknown (exact model not found for this recording)
Pickups
Unknown (likely humbuckers or modern single coils, but not confirmed)
Amp
Unknown (no explicit amp model found for this recording)
Pickup Position
Bridge pickup (estimated, typical for modern rock solos)
No direct sources specify the exact guitar, pickups, or amp used on the studio recording of 'We're Just In Time' by Choosing Sides. No evidence of live vs. studio differences. Year of recording is 2010s+ (band active in 2010s). All gear details are estimated based on genre, era, and typical modern rock recording practices.
Amp Settings
Mids6.5
Bass5.5
Gain6.5
Reverb3
Treble6.5
Presence6
Effects Chain
- Delay pedal (model unknown) · delay
Guitar → Delay pedal (model unknown) → High-gain amp (spring reverb on)
Tone Matcher
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Tone Character
- tight and saturated
- singing sustain
- articulate pick attack
- clear note separation
- slight midrange emphasis
- controlled feedback
- moderate amp reverb
- delay repeats on lead lines
- modern high-gain solo sound
- no audible modulation effects
Notes & Caveats
- No direct sources found specifying the exact guitar, pickups, amp, or pedal models used on the studio recording of 'We're Just In Time' by Choosing Sides.
- All gear and settings are estimated based on modern rock genre conventions and typical tones from the 2010s.
- No pedalboard photos, interviews, or official rig rundowns found for this song or band.
- Delay is clearly audible in the solo section, but the specific pedal or model is not identified.
- Settings are inferred from typical modern high-gain rock amp usage (e.g., Marshall, Mesa/Boogie, Orange, or digital modeling amps).
- If more specific information becomes available (e.g., artist interview, studio notes), this estimate should be updated.
- Settings cross-referenced with genre and era conventions for accuracy. The solo section features a classic rock crunch with clear note definition, forward mids, and moderate gain—typical of modern indie/alt-rock. The bass is balanced, mids are slightly pushed for presence in the mix, treble and presence are moderate for clarity without harshness, and reverb is subtle, matching the production style of the era.