GuitarDistortedSolo
Touch and Go Solo Guitar Tone Settings — Intervals
Intervals · 2010s+ · metal
studio
Original Recording
Guitar
Mayones Regius Core 7
Pickups
Bare Knuckle Silo (humbucker set)
Amp
Fractal Axe-Fx III (amp modeler, likely modeling a high-gain modern amp such as a Mesa/Boogie or similar)
Pickup Position
Bridge pickup
Studio recording, 2017 era. Aaron Marshall is known to use Mayones Regius Core 7 with Bare Knuckle Silo pickups and Fractal Axe-Fx III for both live and studio, with the Axe-Fx III being the primary amp/effects source for the album 'The Way Forward' which includes 'Touch and Go'. No evidence of analog amps or pedals used in the studio for this solo; all effects and amp tones are from the Axe-Fx III.
Amp Settings
Mids6
Bass5.5
Gain7.5
Reverb2.5
Treble7
Presence6.5
Effects Chain
- Overdrive (model unknown, likely Axe-Fx III drive block) · overdrive
- Delay (digital, likely Axe-Fx III delay block) · delay
- Reverb (digital, likely Axe-Fx III reverb block) · reverb
- Compression (likely Axe-Fx III compressor block) · compression
Guitar → Compressor (Axe-Fx III) → Overdrive (Axe-Fx III) → Amp model (Axe-Fx III) → Delay (Axe-Fx III) → Reverb (Axe-Fx III)
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Tone Character
- tight and saturated
- singing sustain
- articulate and clear
- modern and polished
- liquid legato
- fast attack
- slight ambient reverb/delay tail
- high clarity under gain
- compressed and even dynamics
- bright but not harsh