Touch and Go — Intervals1 / 2
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Touch and Go Riff Guitar Tone Settings — Intervals

Intervals · 2010s+ · metal

studio

Original Recording

Guitar
Mayones Regius 6 Custom
Pickups
Bare Knuckle Juggernaut (humbucker set)
Amp
Fractal Axe-Fx II (amp modeling, likely Mesa/Boogie Mark series or similar high-gain model for studio recording)
Pickup Position
Bridge pickup

Studio recording, 2015 (from 'The Shape of Colour' album). Aaron Marshall is known to use the Mayones Regius 6 Custom with Bare Knuckle Juggernaut pickups and Fractal Axe-Fx II for both live and studio, with the Axe-Fx II providing amp and effects modeling. No evidence of traditional tube amp or pedalboard for this specific recording; all effects and amp tones likely from Axe-Fx II. All information is specific to the studio recording, not live.

Amp Settings

Mids
5.5
Bass
5.5
Gain
7.5
Reverb
1.5
Treble
7
Presence
6.5

Effects Chain

  • Noise gate (model unknown, likely Axe-Fx II built-in) · noise_gate
  • Overdrive/boost (model unknown, likely Axe-Fx II built-in) · boost
  • Delay pedal (model unknown, likely Axe-Fx II built-in) · delay

Mayones Regius 6 Custom → Axe-Fx II (noise gate, boost/OD, amp model, delay, reverb) → DAW

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Tone Character

  • tight and percussive
  • crystal-clear note separation
  • articulate and modern
  • aggressive palm muting
  • high-gain saturation
  • controlled low end
  • bright and cutting
  • fast transient response
  • no muddiness
  • precise, technical attack

Sources