GuitarDistortedSolo
Still Got the Blues (Live) Solo Guitar Tone Settings — Gary Moore
Gary Moore · 1990s · blues
live
Original Recording
Guitar
1959 Gibson Les Paul Standard
Pickups
Original PAF humbuckers
Amp
Marshall JTM45 Reissue Prototype Head
Pickup Position
Neck pickup
Live performance, early 1990s. Gary Moore used his iconic '59 Les Paul and a Marshall JTM45 reissue prototype head for the 'Still Got the Blues' live solo. The distortion was primarily from a Marshall The Guv'nor pedal into a clean JTM45. No evidence of other guitars or amps for this solo section in live versions.
Amp Settings
Mids7.5
Bass7
Gain6.5
Reverb4.5
Treble6.5
Presence6
Effects Chain
- Marshall The Guv'nor · distortion
- Delay pedal (model unknown) · delay
1959 Gibson Les Paul Standard → Marshall The Guv'nor → Delay pedal (model unknown) → Marshall JTM45 Reissue Head (with spring reverb)
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Tone Character
- singing sustain
- thick, woman tone
- fat, sustaining lead sound
- boosted midrange
- smooth, violin-like legato
- powerful, expressive bends
- rich harmonic overtones
- touch-sensitive dynamics
- warm and smooth neck pickup
- slightly compressed