Still Got the Blues Riff Guitar Tone Settings — Gary Moore
Gary Moore · 1990s · blues
studio
Original Recording
Studio recording, 1989-1990. The main riff section features a clean tone with subtle chorus, achieved by running the Les Paul into a clean JTM45 and using a Marshall The Guv'nor pedal for overdrive on melodic/solo sections only. For the riff, the amp is set clean and chorus is likely from a Roland SDD-320 Dimension D rack unit. Pickup is neck position. Effects chain and settings are based on studio sources and contemporary interviews, not live or later performances.
Amp Settings
Effects Chain
- Roland SDD-320 Dimension D · chorus
Guitar → Roland SDD-320 Dimension D (chorus) → Marshall JTM45 (clean, with light spring reverb)
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Tone Character
- warm and smooth
- clean and touch-sensitive
- subtle stereo chorus shimmer
- rounded highs
- full-bodied neck pickup sound
- lush, wide stereo spread
- no perceivable pitch modulation
- dynamic and responsive
- slightly compressed
- classic British clean