GuitarCleanSolo
Still Got the Blues Solo Guitar Tone Settings — Gary Moore
Gary Moore · 1990s · blues
studio
Original Recording
Guitar
1959 Gibson Les Paul Standard
Pickups
Gibson PAF humbuckers
Amp
1989 prototype Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)
Pickup Position
Neck pickup
Studio recording, 1989/1990. Clean tone sections used the neck pickup with volume rolled back. Subtle chorus effect likely from Roland SDD-320 Dimension D. No overdrive/distortion pedal engaged for clean sections.
Amp Settings
Mids8
Bass5
Gain0
Reverb3
Treble6.5
Presence5.5
Effects Chain
- Roland SDD-320 Dimension D · chorus
Guitar → Roland SDD-320 Dimension D → Marshall JTM45 (clean channel, slight room reverb) → Marshall 1960B 4x12 cab
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Tone Character
- warm and smooth
- clean and lush
- subtle stereo spread
- no perceivable pitch modulation
- rounded highs
- full-bodied neck pickup sound
- touch-sensitive dynamics
- slightly compressed feel (studio)
- rich low-mids
- clear note separation