So Por Uma Noite — Charlie Brown Jr.1 / 2
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So Por Uma Noite Riff Guitar Tone Settings — Charlie Brown Jr.

Charlie Brown Jr. · 2000s · rock

studio

Original Recording

Guitar
Fender Stratocaster (exact model unknown, but Strat-style single coil guitar is standard for Marcão Britto in this era)
Pickups
Single-coil pickups (likely Fender stock or similar, exact model not confirmed for this recording)
Amp
Marshall JCM900 (most commonly associated with Charlie Brown Jr. studio recordings in late 90s/early 2000s, but not explicitly confirmed for this song/section)
Pickup Position
Bridge pickup

Studio recording, circa 2003 (album 'Tamo Aí na Atividade'). No direct evidence for pedals or effects chain for this specific riff section; most sources discuss general gear used by the band or bassist. No pedalboard photos or interviews for this song's riff section found.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
2.5
Treble
7
Presence
6

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Tone Character

  • tight and percussive
  • crunchy attack
  • mid-forward punch
  • articulate and clear
  • slightly compressed
  • dynamic response
  • bright upper mids
  • not overly saturated
  • classic skate punk/alt rock riff sound

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, amp, or pedal settings for 'Só Por Uma Noite' riff section; all gear and settings are estimated based on typical Charlie Brown Jr. studio setups and genre conventions.
  • ⚠️No pedalboard or effects chain for Marcão Britto found for this song/section; no evidence of modulation or time-based effects in the riff.
  • ⚠️Amp model inferred from era and genre; settings estimated based on Marshall JCM900 typical usage in early 2000s Brazilian rock.
  • ⚠️Pickup choice inferred from tone and genre; bridge pickup is standard for crunchy, articulate punk/rock riffs.
  • ⚠️If more specific information or studio notes become available, these estimates should be updated.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Charlie Brown Jr.'s 'So Por Uma Noite' riff has a crunchy, mid-forward rock tone typical of late 90s/early 2000s Brazilian alt rock, likely using a Marshall-style amp with moderate gain, solid low end, and prominent mids for punch. The reverb is subtle, just enough for space, and presence is set to add clarity without harshness.

Sources