TonesMatch
Rubão - O Dono Do Mundo — Charlie Brown Jr.1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Rubão - O Dono Do Mundo Guitar Tone Settings — Charlie Brown Jr.

Charlie Brown Jr. · 2000s · rock

studio

Original Recording

Guitar
Ibanez RG (exact model unknown, likely RG series as used by Marcão Britto in this era)
Pickups
Humbucker (likely Ibanez/DiMarzio stock or aftermarket, bridge position)
Amp
Mesa/Boogie Dual Rectifier (studio recording, 2000s era, as referenced in genre/era and typical Brazilian rock setups, and supported by tags in Source 3)
Pickup Position
Bridge pickup

Studio recording, early 2000s. No direct studio session documentation found, but all evidence and genre/era point to Ibanez RG with humbuckers into Mesa/Boogie Dual Rectifier. No explicit pedalboard or amp settings for this song's riff section found in sources.

Amp Settings

Mids
6
Bass
6
Gain
6.5
Reverb
2.5
Treble
6.5
Presence
6

Effects Chain

  • Distortion/Overdrive pedal (model unknown, likely used for boost or shaping) · distortion

Ibanez RG (bridge humbucker) → Distortion/Overdrive pedal (model unknown) → Mesa/Boogie Dual Rectifier (spring reverb low)

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • tight and percussive
  • chunky and aggressive
  • modern high-gain
  • articulate note separation
  • slight mid scoop
  • punchy low end
  • crisp, defined highs
  • compressed and focused
  • minimal ambience
  • bridge pickup bite

Notes & Caveats

  • ⚠️No direct studio documentation or official rig rundown for this specific song/section found.
  • ⚠️Guitar and amp models inferred from era, genre, and typical gear used by Marcão Britto in early 2000s.
  • ⚠️Amp settings estimated based on Mesa/Boogie Dual Rectifier typical rock/modern punk usage.
  • ⚠️No explicit pedal or effect model confirmed for this recording; effects inferred from audio and genre.
  • ⚠️Pedalboard and effect chain for this specific recording not documented in available sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Chorão's era and Marcão's style favor a crunchy, mid-forward tone with moderate gain for clarity and punch, typical of late 90s/early 2000s Brazilian alt-rock. The riff is articulate but not overly saturated, with balanced bass and treble, slight presence boost, and minimal reverb for a tight, upfront sound.

Sources