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Sloe Gin — Joe Bonamassa1 / 2
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Sloe Gin Riff Guitar Tone Settings — Joe Bonamassa

Joe Bonamassa · 2000s · blues

studio

Original Recording

Guitar
Gibson Les Paul Standard
Pickups
Gibson PAF-style humbuckers
Amp
Marshall JCM2000 Dual Super Lead 100 watt
Pickup Position
Neck pickup

Studio recording, 2007. Gear confirmed for Sloe Gin album sessions. No evidence of alternate guitars or amps for the riff section. Pedal use inferred from pedalboard photos and typical Bonamassa setups of the era.

Amp Settings

Mids
7
Bass
7
Gain
5.5
Reverb
3.5
Treble
6.5
Presence
5.5

Effects Chain

  • Klon Centaur Professional Overdrive · overdrive

Guitar → Klon Centaur Overdrive → Marshall JCM2000 (with spring reverb)

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Tone Character

  • warm and smooth
  • fat, sustaining
  • British crunch
  • rich midrange
  • articulate pick attack
  • touch-sensitive
  • dynamic and expressive
  • slight edge-of-breakup
  • open, airy highs
  • classic blues-rock drive

Notes & Caveats

  • ⚠️No direct numeric amp settings found for Sloe Gin riff; values estimated based on Marshall JCM2000 typical blues-rock settings and Bonamassa's known preferences.
  • ⚠️Pedal use for the riff section is inferred from Bonamassa's pedalboard and genre conventions; no explicit studio documentation for this exact song section.
  • ⚠️Pickup choice (neck) inferred from tone descriptors and typical Bonamassa approach for warm, sustaining riff tones.
  • ⚠️No evidence of modulation or delay effects in the riff section; only amp reverb is included.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Bonamassa's 'Sloe Gin' riff tone is thick, dynamic, and bluesy with a singing sustain, likely achieved with a Les Paul into a cranked Marshall or similar amp. The settings reflect his preference for strong mids, warm bass, moderate gain for edge-of-breakup/crunch, and subtle reverb for space, matching the genre and his signature sound.

Sources