TonesMatch
Rapp Snitch Knishes (Live Instrumental) [Cover] — OMA1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Rapp Snitch Knishes (Live Instrumental) [Cover] Guitar Tone Settings

OMA · 2010s+ · rock

studio

Original Recording

Guitar
Fender Telecaster Left Handed (customized with neck pickup replacement and String Bender)
Pickups
Custom neck pickup (exact model unknown), likely single coil
Amp
Line 6 HX Stomp (amp modeling, specific amp model not confirmed for this track)
Pickup Position
Neck pickup (custom single coil, likely selected for smooth solo tone)

Gear based on Chris Larcombe's confirmed studio/live rig for OMA; no explicit confirmation of amp model or pickup brand for this specific solo. Likely recorded in studio or controlled live environment, 2020s era.

Amp Settings

Mids
6.5
Bass
6
Gain
4.5
Reverb
4
Treble
6.5
Presence
5.5

Effects Chain

  • Line 6 HX Stomp · multi-effects
  • Boss RE-202 Space Echo · delay
  • ZVEX Vexter Series Instant Lo-Fi Junky · modulation

Fender Telecaster (neck pickup) → ZVEX Instant Lo-Fi Junky → Boss RE-202 Space Echo → Line 6 HX Stomp (amp/cab modeling, digital reverb) → recording interface

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Tone Character

  • legato and smooth
  • articulate and clear
  • singing sustain
  • warm, rounded highs
  • tight low end
  • slightly compressed attack
  • moderate dynamic range
  • touch-sensitive
  • modern clarity
  • subtle ambient reverb

Notes & Caveats

  • ⚠️No explicit amp model or pedal settings for this specific solo; settings estimated based on genre, era, and OMA's confirmed gear.
  • ⚠️No direct confirmation of pickup model; inferred from Equipboard and typical Telecaster configuration.
  • ⚠️HX Stomp is a multi-effects/modeling unit; exact amp/cab model used for this track is not specified.
  • ⚠️Pedal/effect usage inferred from gear lists and genre conventions; no direct solo section breakdown available.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. OMA's cover tone in the solo section is warm, dynamic, and bluesy with a touch of breakup, sitting between clean and classic rock crunch. The mids are slightly forward for clarity, bass is supportive but not boomy, and reverb is subtle for a live-instrumental feel.

Sources