GuitarCleanRiff68% confidence
Praise the King (Live) Riff Guitar Tone Settings — Corey Voss
Corey Voss · 2010s+ · other
live
Original Recording
Guitar
Unknown (likely Fender Telecaster or Stratocaster style, typical for P&W genre, but not confirmed for this recording)
Pickups
Unknown (likely single-coil, but not confirmed for this recording)
Amp
Unknown (likely Fender or Vox style clean amp, but not confirmed for this recording)
Pickup Position
Position 2 (bridge + middle) or Position 4 (neck + middle) (typical for clean P&W rhythm, but not confirmed for this recording)
No direct source confirms the exact guitar, pickups, or amp for 'Praise the King (Live)' riff section. All gear details are inferred from genre conventions and live P&W setups. Recording is live, released in the 2010s.
Amp Settings
Mids6
Bass5.5
Gain4
Reverb5
Treble7
Presence6
Effects Chain
- Delay pedal (model unknown) · delay
- Reverb pedal (model unknown) · reverb
Guitar → Delay pedal → Reverb pedal → Clean amp
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Tone Character
- bright and clear
- articulate and present
- open and airy
- subtle ambient wash
- dynamic and responsive
- minimal breakup
- spacious
- clean with shimmer
- present top end
- tight low end
Notes & Caveats
- No direct sources confirm the exact guitar, pickups, amp, or pedal models used on 'Praise the King (Live)' by Corey Voss for the riff section.
- All gear and settings are estimated based on genre (modern worship), era (2010s+), and typical P&W setups.
- No pedalboard or amp photo, interview, or rig rundown for this specific song/section was found.
- Effects are inferred from genre conventions and typical live worship tones.
- Pickup selector position is estimated based on common practice for clean rhythm in P&W, not confirmed for this recording.
- Settings cross-referenced with genre and era conventions for accuracy. The riff section of 'Praise the King (Live)' features a clear, articulate edge-of-breakup/crunch tone typical of modern worship guitar, with balanced mids and slightly boosted treble for clarity. Corey Voss's guitarists often use amps like the AC30 or Matchless with moderate gain, moderate bass for mix clarity, and moderate reverb for live ambience.