Pink Pony Club — Chappell Roan1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Pink Pony Club Solo Guitar Tone Settings — Chappell Roan

Chappell Roan · 2010s+ · rock

studio

Original Recording

Guitar
Unknown solidbody electric (exact model not confirmed for studio recording)
Pickups
Likely humbuckers (exact type/model not confirmed)
Amp
Unknown (amp model not confirmed for studio recording; live rig used Line 6 Helix for amp modeling)
Pickup Position
Bridge pickup (inferred from solo brightness and articulation)

No direct evidence for exact studio guitar or amp model. Live performances used Line 6 Helix amp modeling (see sources), but no confirmation this was used on the studio recording. No pedalboard or amp photos from the studio session. Year of recording: 2020 (original release).

Amp Settings

Mids
6.5
Bass
5.5
Gain
4.5
Reverb
5
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Guitar → Delay pedal (model unknown) → Amp (with plate reverb)

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Tone Character

  • singing and melodic
  • smooth sustain
  • slight breakup/edge-of-clean
  • bright and articulate
  • present in the mix
  • clear note separation
  • modest reverb tail
  • not heavily compressed
  • pop/rock solo character
  • studio polish

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickups, amp, or pedal models used on the studio recording of 'Pink Pony Club' solo.
  • ⚠️Live rig used Line 6 Helix amp modeling, but no evidence this was used in the studio.
  • ⚠️No numeric amp or pedal settings found; all settings estimated based on genre, era, and typical pop/rock production.
  • ⚠️No pedalboard or amp photos from the studio session.
  • ⚠️Pickup choice inferred from solo's tonal brightness and clarity.
  • ⚠️Effects inferred from audio and genre conventions; no explicit pedal models confirmed.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section in 'Pink Pony Club' features a bright, slightly overdriven pop/rock tone with clear note articulation and a forward midrange, typical of modern indie pop production. The gain is set at edge-of-breakup, with balanced bass and enhanced mids/treble for clarity, moderate presence for air, and a touch of reverb for space.

Sources