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Pain Remains I: Dancing Like Flames — Lorna Shore1 / 2
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Pain Remains I: Dancing Like Flames Guitar Tone Settings

Lorna Shore · 2010s+ · metal

studio

Original Recording

Guitar
Ibanez RG7321
Pickups
Dimarzio Pegasus (bridge), Blaze (neck) (modded, but stock pickups possible; Pegasus in bridge likely for riff)
Amp
Peavey 6505+ head into Mesa/Boogie 4x12 cabinet
Pickup Position
Bridge pickup

Studio recording, 2022. Guitarist Adam De Micco is seen using the Ibanez RG7321 in the official video for 'Pain Remains I: Dancing Like Flames' riff section. Peavey 6505+ and Mesa 4x12 confirmed by artist AMA and rig rundown. Pickup mod (Pegasus) is likely but not 100% confirmed for this exact session; stock pickups possible. Settings estimated based on genre, amp, and era due to lack of explicit numbers.

Amp Settings

Mids
4.5
Bass
6
Gain
8.5
Reverb
1
Treble
6.5
Presence
6.5

Effects Chain

  • Horizon Devices Precision Drive · overdrive
  • ISP Technologies Decimator II · noise_gate

Ibanez RG7321 (bridge pickup) → Horizon Devices Precision Drive → ISP Decimator II → Peavey 6505+ head → Mesa/Boogie 4x12 cab

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Tone Character

  • tight and percussive
  • scooped mids
  • aggressive palm muting
  • high-gain saturation
  • articulate low-end
  • clear note separation
  • crushing modern deathcore wall of sound
  • focused attack
  • minimal ambience
  • no modulation or time-based effects in riff

Notes & Caveats

  • ⚠️No explicit numeric amp settings found in sources; values estimated based on Peavey 6505+ typical metal usage and genre/era.
  • ⚠️Dimarzio Pegasus bridge pickup mod is common for Adam De Micco but not 100% confirmed for this exact recording; stock pickups possible.
  • ⚠️Pedal/effects chain for the riff section is not explicitly documented for the studio recording; inferred from genre, amp, and lack of audible effects.
  • ⚠️No evidence of time-based or modulation effects in the riff section; only noise gate and boost/overdrive likely, but not directly confirmed for this song part.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Lorna Shore's 'Pain Remains I' features a modern, extremely high-gain deathcore tone with tight low end, slightly scooped but not hollow mids, aggressive upper mids/treble for clarity, and boosted presence for articulation; reverb is essentially absent for maximum tightness and precision.

Sources