GuitarDistortedRiff80% confidence
Glenwood Riff Guitar Tone Settings — Lorna Shore
Lorna Shore · 2010s+ · metal
studio
Original Recording
Guitar
Ibanez RGD Custom (likely 7-string, EverTune bridge)
Pickups
Fishman Fluence Modern Humbucker
Amp
Kemper Profiler (using Fortin amp profiles, likely Fortin Meshuggah or Fortin Cali profile)
Pickup Position
Bridge pickup
Studio recording, 2024. Both guitarists use nearly identical rigs for rhythm/riff sections. No evidence of analog pedals or real amps; all tones via Kemper with Fortin profiles. Fishman pickups and EverTune bridge for tuning stability and tightness.
Amp Settings
Mids4.5
Bass6
Gain9
Reverb1
Treble7
Presence6.5
Effects Chain
- Noise Gate (model unknown) · noise_gate
Ibanez RGD Custom (Fishman Fluence Modern) → Noise Gate → Kemper Profiler (Fortin profile, digital reverb)
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Tone Character
- tight and percussive
- articulate low-end
- aggressive palm muting
- scooped mids
- high-gain saturation
- modern digital clarity
- compressed and controlled
- dry with minimal ambience
- razor-sharp attack
- studio-polished
Notes & Caveats
- No explicit numeric amp settings found for 'Glenwood' riff; settings estimated based on Fortin Kemper profiles, genre, and era.
- No evidence of pedals or analog effects used on this recording; all tones appear to be from Kemper with Fortin profiles.
- No mention of pickup selector, but bridge pickup is standard for this genre and tone.
- No evidence of time-based or modulation effects in riff section; tone is dry and extremely tight.
- Settings are inferred from typical Fortin/Kemper deathcore setups and genre conventions.
- Settings cross-referenced with genre and era conventions for accuracy. Lorna Shore's 'Glenwood' features a modern deathcore tone: extremely high gain, tight/controlled bass, slightly scooped but not hollow mids, aggressive treble and presence for clarity, and a bone-dry signal (no reverb) for maximum punch and articulation, matching both their typical gear (often EVH 5150/Peavey 6505) and genre conventions.