GuitarDistortedSolo80% confidence
Pain Remains I: Dancing Like Flames Guitar Tone Settings
Lorna Shore · 2010s+ · metal
studio
Original Recording
Guitar
Ibanez RG7321
Pickups
Stock Ibanez RG7321 pickups (likely Ibanez AH-1/AH-2 humbuckers, but not explicitly confirmed for this recording)
Amp
Unknown (not specified in any source for this song/solo; likely a high-gain amp such as EVH 5150, Peavey 6505, or similar, based on genre and era)
Pickup Position
Bridge pickup
Gear confirmed for studio recording of 'Pain Remains I: Dancing Like Flames' (2022) solo section. Guitar model confirmed via official video and Equipboard. Amp model not specified in any available source. No explicit pedalboard or amp settings for this recording found.
Amp Settings
Mids4.5
Bass6
Gain8.5
Reverb1.5
Treble7
Presence6.5
Effects Chain
- Delay pedal (model unknown) · delay
- Noise gate (model unknown) · noise_gate
Ibanez RG7321 → Noise gate → Delay pedal → High-gain amp (likely 5150/6505 or similar, with digital reverb)
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Tone Character
- tight and percussive
- saturated high-gain
- singing sustain
- articulate note separation
- aggressive attack
- modern deathcore clarity
- crisp pick attack
- slight ambient tail
- cutting through dense mix
- controlled feedback
Notes & Caveats
- No explicit amp model or pedal/effects chain is confirmed for the studio recording of this solo; amp and effects are estimated based on genre, era, and typical production for modern deathcore.
- Pickup model is not explicitly confirmed for this recording; assumed to be stock Ibanez RG7321 pickups.
- No specific numeric amp settings found; values estimated based on high-gain metal conventions and typical tones for this genre/era.
- No pedalboard or effects list is confirmed for this song/solo; delay and reverb are included due to their clear audibility in the solo section.
- If more precise studio documentation or a direct rig rundown for this song/solo emerges, settings may need revision.
- Settings cross-referenced with genre and era conventions for accuracy. Lorna Shore's solo tone is extremely saturated and tight, with modern metal clarity and a slightly scooped midrange for articulation. Bass is controlled to avoid muddiness, treble and presence are pushed for cut and definition, and reverb is minimal as ambience is handled in post-production.