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Narda — Kamikazee1 / 2
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Narda Riff Guitar Tone Settings — Kamikazee

Kamikazee · 2000s · rock

studio

Original Recording

Guitar
Epiphone SG Special
Pickups
Epiphone stock humbuckers
Amp
Marshall 1960A 4x12 Cabinet (likely with Marshall head, model not specified)
Pickup Position
Bridge pickup

Studio recording, circa 2006 (album release year). Gear confirmed for Jomal Linao, who played the main riff. No explicit studio amp head model found, but Marshall 1960A cab is confirmed for this era. No evidence of alternate guitars or amps for this section.

Amp Settings

Mids
6.5
Bass
6
Gain
7
Reverb
2.5
Treble
7
Presence
6

Effects Chain

  • Tech 21 SansAmp GT2 · distortion

Epiphone SG Special → Tech 21 SansAmp GT2 → Marshall 1960A 4x12 Cabinet

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Tone Character

  • crunchy and aggressive
  • tight and punchy
  • mid-forward
  • articulate attack
  • slight warmth from humbuckers
  • dynamic and energetic
  • clear note separation
  • moderate sustain
  • minimal ambience
  • focused low end

Notes & Caveats

  • ⚠️No explicit amp head model or exact pedal settings found for the studio recording; Marshall 1960A cab is confirmed, typical Marshall settings for 2000s Pinoy rock inferred.
  • ⚠️No evidence of effects pedals or amp-based effects (delay, chorus, flanger, etc.) used on the riff section; only distortion/overdrive is clearly present.
  • ⚠️Pickup choice inferred from typical rock rhythm tone and SG bridge pickup usage.
  • ⚠️Settings estimated based on genre, era, and confirmed amp/cab pairing.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The 'Narda' riff features a crunchy, saturated rock tone typical of early 2000s Filipino alt-rock, with enough gain for sustain but not full metal saturation. The EQ is balanced and mid-forward for punch and clarity, with moderate bass and treble, and just a touch of reverb for space, matching Kamikazee's usual amp settings and production style.

Sources