TonesMatch
Nada — ZOE1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Nada Solo Guitar Tone Settings — ZOE

ZOE · 2000s · rock

studio

Original Recording

Guitar
Unknown (likely Fender or Gibson-style electric, exact model not confirmed for this recording)
Pickups
Unknown (likely humbucker or P90, exact type not confirmed for this recording)
Amp
Unknown (likely Marshall or similar high-gain amp, exact model not confirmed for this recording)
Pickup Position
Bridge pickup (likely, based on solo tone brightness and attack)

No direct sources confirm the exact guitar or amp used on the studio recording of 'Nada' by ZOE for the solo section. No pedalboard or rig rundown for this song/era found. Settings and gear are estimated based on genre, era, and typical tones for ZOE's studio recordings in the 2000s. Studio recording, circa 2006.

Amp Settings

Mids
6.5
Bass
6
Gain
6.5
Reverb
3.5
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Guitar → Delay pedal (model unknown) → Amp (with spring reverb)

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Tone Character

  • singing sustain
  • crunchy and saturated
  • clear delay repeats
  • smooth attack
  • moderate reverb tail
  • upper-midrange focus
  • articulate single-note clarity
  • dynamic pick response
  • slightly compressed
  • no extreme scooping

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickups, amp, or pedal models used on the studio recording of 'Nada' by ZOE for the solo section.
  • ⚠️No numeric amp settings found; values estimated based on typical 2000s alternative/rock studio tones and audible characteristics.
  • ⚠️Pedal and effect models are not confirmed; delay and reverb are clearly audible in the solo, but exact units are unknown.
  • ⚠️All gear and settings are inferred from genre, era, and listening to the recording, not from explicit source confirmation.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo in 'Nada' by ZOE features a warm, slightly overdriven lead tone typical of British-voiced amps, with forward mids and balanced bass/treble. The band’s alt/rock style and era suggest moderate gain, present mids, and subtle reverb for space, matching León Larregui’s usual taste for expressive, melodic leads.

Sources