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N.I.B. Riff Guitar Tone Settings — Zakk Sabbath
Zakk Sabbath · 2010s+ · metal
live
Original Recording
Guitar
Wylde Audio Les Paul-style (likely Odin or Barbarian, with EMG pickups)
Pickups
EMG 81 (bridge), EMG 85 (neck) active humbuckers
Amp
Wylde Audio Master 100 (Marshall JCM800 2203-inspired head), likely through Marshall 4x12 cabinet
Pickup Position
Bridge pickup
Live performance with Zakk Sabbath, riff section of 'N.I.B.', post-2015 era. No direct studio session info for Zakk Sabbath, but live and studio rigs are nearly identical for this project.
Amp Settings
Mids6.5
Bass6
Gain7.5
Reverb0.5
Treble6.5
Presence6.5
Effects Chain
- MXR M135 Smart Gate · noise_gate
Guitar → MXR M135 Smart Gate → Wylde Audio Master 100 (Marshall JCM800 style) → Marshall 4x12 cabinet
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Tone Character
- tight, saturated high-gain rhythm
- aggressive palm-muted chugs
- articulate pick attack
- thick, compressed tone
- modern metal clarity
- scooped but present mids
- punchy low end
- razor-sharp treble
- minimal ambience
- no audible reverb or delay in riff
Notes & Caveats
- No direct numeric amp settings for Zakk Sabbath 'N.I.B.' found; settings estimated based on Zakk Wylde's typical Marshall-style rig for Sabbath covers and genre conventions.
- No explicit pedalboard photo or interview for this exact recording; gear inferred from multiple live and rig sources for Zakk Sabbath.
- No evidence of time-based or modulation effects in the riff section; only high-gain amp and noise gate are likely.
- If more specific studio session info becomes available, settings may need revision.
- Settings cross-referenced with genre and era conventions for accuracy. Zakk Wylde's tone on Zakk Sabbath's 'N.I.B.' is thick, saturated, and mid-forward, reflecting his signature high-gain Marshall/Overdrive setup with tight lows, pronounced mids, and a cutting but not harsh top end; reverb is minimal for a dry, punchy metal sound.