My Own Summer (Shove It) — Deftones1 / 2
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My Own Summer (Shove It) Riff Guitar Tone Settings — Deftones

Deftones · 1990s · metal

studio

Original Recording

Guitar
ESP Stef B-7 (custom 7-string, early version, likely with Seymour Duncan JB bridge pickup)
Pickups
Seymour Duncan JB (bridge humbucker)
Amp
Marshall JMP-1 preamp into Mesa/Boogie Strategy 400 power amp (studio recording, 1997)
Pickup Position
Bridge pickup

Studio recording for 'Around the Fur' (1997). Guitarist Stephen Carpenter used an ESP 7-string with Seymour Duncan JB in the bridge, and the Marshall JMP-1 preamp into a Mesa/Boogie power amp. No evidence of live/touring gear or alternate setups for this specific recording.

Amp Settings

Mids
4
Bass
6.5
Gain
7.5
Reverb
0
Treble
6.5
Presence
6.5

Effects Chain

  • Boss NS-2 Noise Suppressor (or similar noise gate) · noise_gate
  • Boss SD-1 Super Overdrive (used as boost, if any) · boost

ESP Stef B-7 → Noise Gate (Boss NS-2 or similar) → (optional SD-1 boost) → Marshall JMP-1 preamp → Mesa/Boogie Strategy 400 power amp → Cabinet

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Tone Character

  • tight and percussive
  • scooped mids
  • chunky low end
  • aggressive palm muting
  • saturated high-gain
  • articulate attack
  • dry and focused
  • minimal ambience
  • modern nu-metal heaviness

Notes & Caveats

  • ⚠️No official rig rundown or studio documentation found; gear and settings are based on multiple forum sources and era-typical Deftones setups.
  • ⚠️Pedal use is inferred from forum consensus and audio; no official pedalboard photo or studio notes for this song.
  • ⚠️Settings are averaged from multiple Reddit sources and adjusted for Marshall JMP-1/metal context.
  • ⚠️No evidence of reverb or time-based effects in the riff section; tone is very dry and direct.
  • ⚠️Presence setting is estimated based on typical JMP-1/metal usage.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Deftones' 'My Own Summer' riff uses a saturated, modern metal tone with tight low end, slightly scooped mids, and clear but not harsh highs, typical of Chino Moreno's and Stephen Carpenter's late-90s Mesa/Rectifier setups; the tone is dry with no audible reverb, and presence is boosted for clarity in the mix.

Sources