Marines (2021 - Remaster) — Sodom1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Marines (2021 - Remaster) Riff Guitar Tone Settings — Sodom

Sodom · 2010s+ · metal

studio

Original Recording

Guitar
ESP LTD EX Series (likely EX-401 or EX-351, as used by Tom Angelripper in 2021 era Sodom recordings)
Pickups
EMG 81/60 active humbuckers
Amp
ENGL Powerball II (common for Sodom studio recordings in 2010s+; no evidence of other amp for this track/era/riff)
Pickup Position
Bridge pickup

Studio recording, 2021 remaster. Gear inferred from Sodom's known studio rig for the 2020s. No evidence of live/touring substitutions or alternate guitars/amps for this specific riff section.

Amp Settings

Mids
4.5
Bass
6
Gain
8.5
Reverb
0
Treble
7.5
Presence
6.5

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Tone Character

  • tight and percussive
  • scooped mids
  • aggressive palm muting
  • high-gain saturation
  • razor-sharp attack
  • articulate note separation
  • dry and in-your-face
  • minimal ambience
  • modern metal clarity
  • percussive low end

Notes & Caveats

  • ⚠️No direct source lists exact gear or settings for 'Marines (2021 - Remaster)' riff section; all gear and settings inferred from Sodom's typical 2020s studio setup and genre conventions.
  • ⚠️No evidence of pedals or effects used on this riff; dry, high-gain tone is standard for Sodom's modern rhythm tracks.
  • ⚠️Settings estimated based on ENGL Powerball II typical metal usage and audible tone characteristics; no numeric settings found in sources.
  • ⚠️No explicit pickup selector info found, but bridge pickup is standard for this style and audible tone.
  • ⚠️No amp reverb or time-based effects audible or documented for this section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Sodom's 'Marines (2021 - Remaster)' features a modern thrash tone: aggressive, tight, and dry, with high gain, scooped mids, tight bass, and pronounced treble/presence for attack and clarity. The reverb is essentially absent, matching genre and production norms for tightness.

Sources