Marigold — Periphery1 / 2
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Marigold Riff Guitar Tone Settings — Periphery

Periphery · 2010s+ · metal

studio

Original Recording

Guitar
Jackson USA Misha Mansoor Signature Juggernaut HT6
Pickups
Bare Knuckle Ragnarok humbuckers
Amp
Peavey Invective.120 (Misha Mansoor Signature)
Pickup Position
Bridge pickup

Studio recording, 2016. Guitar and amp confirmed by Premier Guitar Rig Rundown and multiple interviews. Drop C tuning. Settings are estimated based on genre, amp, and era due to lack of explicit studio knob values.

Amp Settings

Mids
5
Bass
5.5
Gain
8.5
Reverb
1
Treble
7
Presence
6.5

Effects Chain

  • Noise gate (model unknown) · noise_gate

Jackson Juggernaut HT6 (bridge pickup) → Noise gate → Peavey Invective.120 (digital reverb low) → Cab IR

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Tone Character

  • tight and percussive
  • articulate note separation
  • aggressive palm muting
  • modern high-gain saturation
  • controlled low end
  • crisp, cutting treble
  • scooped but present mids
  • fast attack
  • minimal ambient reverb
  • focused, djent-style rhythm

Notes & Caveats

  • ⚠️No explicit studio amp knob settings for 'Marigold' found; values estimated based on Peavey Invective.120 typical djent settings and genre/era conventions.
  • ⚠️Pedal/effect models not explicitly confirmed for studio recording; only effects clearly audible or strongly implied by sources are included.
  • ⚠️Some sources discuss live rigs or general Periphery tones; only details matching the studio recording and riff section are used.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Periphery's 'Marigold' riff features a very high-gain, tight, modern djent tone with controlled low end, slightly forward mids, and crisp treble/presence for articulation. The band typically records dry with little to no amp reverb, relying on post-processing for ambience.

Sources