TonesMatch
Turn the Lights Off — Tally Hall1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Turn the Lights Off Riff Guitar Tone Settings — Tally Hall

Tally Hall · 2010s+ · rock

studio

Original Recording

Guitar
Gibson Les Paul Standard
Pickups
Gibson humbuckers (stock Les Paul Standard)
Amp
Vox AC30
Pickup Position
Bridge pickup

Studio recording for 'Turn the Lights Off' (2011, Good & Evil album). Gear confirmed via Equipboard and studio photos. No evidence of live rig or alternate guitars for this section.

Amp Settings

Mids
6.5
Bass
6
Gain
5.5
Reverb
2
Treble
7
Presence
6

Effects Chain

  • Boss BD-2 Blues Driver · overdrive
  • Boss DM-2 Delay · delay

Gibson Les Paul Standard → Boss BD-2 Blues Driver → Boss DM-2 Delay → Vox AC30 (spring reverb low)

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Tone Character

  • tight and percussive
  • slightly gritty crunch
  • clear note separation
  • warm low end
  • present upper mids
  • articulate attack
  • modest sustain
  • dynamic response
  • studio clarity
  • not overly saturated

Notes & Caveats

  • ⚠️No direct amp knob settings found for this song; values estimated based on typical Vox AC30 settings for studio rock crunch and genre/era.
  • ⚠️Pedal usage inferred from studio photos and Equipboard; no explicit pedal settings or signal chain order confirmed for this exact song.
  • ⚠️No evidence of additional modulation or time-based effects beyond delay; reverb assumed to be minimal and likely from amp or mix.
  • ⚠️Pickup position inferred from typical Les Paul usage for riff sections and tone characteristics.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff section in 'Turn the Lights Off' features a crunchy, mid-forward indie/alt-rock tone typical of mid-2000s production, likely achieved with moderate gain, balanced bass, and slightly boosted mids and treble for clarity. Tally Hall's guitar tones tend to be punchy but not overly saturated, with minimal reverb and a natural amp presence.

Sources