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Reptile — Periphery1 / 2
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Reptile Riff Guitar Tone Settings — Periphery

Periphery · 2010s+ · metal

studio

Original Recording

Guitar
Jackson USA Misha Mansoor Signature Juggernaut HT6
Pickups
Bare Knuckle Ragnarok humbuckers
Amp
Fractal Audio Axe-Fx (model unknown, likely high-gain amp simulation)
Pickup Position
Bridge pickup

Studio recording, 2019 (Periphery IV: Hail Stan). Misha Mansoor used his Jackson Juggernaut HT6 with Bare Knuckle Ragnarok pickups for nearly all parts. Axe-Fx amp modeling was used for the album, not a traditional tube amp. No evidence of traditional amp head/cab used for the studio recording.

Amp Settings

Mids
5
Bass
6
Gain
9
Reverb
1
Treble
7
Presence
7

Effects Chain

  • Horizon Devices Precision Drive · overdrive
  • Noise gate (model unknown) · noise_gate

Jackson Juggernaut HT6 → Horizon Devices Precision Drive → Noise Gate → Fractal Axe-Fx (high-gain amp model, digital reverb)

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Tone Character

  • tight and percussive
  • articulate low-end
  • aggressive attack
  • modern high-gain saturation
  • clear note separation
  • focused midrange punch
  • controlled low-end for extended range
  • minimal ambience
  • crisp pick attack
  • high clarity under distortion

Notes & Caveats

  • ⚠️No explicit amp model or numeric settings for 'Reptile' studio recording found; settings estimated based on Axe-Fx usage, genre, and artist's typical tone.
  • ⚠️No explicit pedal list for 'Reptile' studio riff section; pedal chain inferred from genre, artist interviews, and audible effects.
  • ⚠️No evidence of time-based or modulation effects in the riff section; only noise gate and boost/overdrive inferred as standard for Periphery's rhythm tones.
  • ⚠️Axe-Fx amp model and patch settings are not published for this song; settings are typical for modern djent/metal tones.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Periphery's 'Reptile' features a hyper-tight, modern djent tone: extreme gain for percussive chugs, tight low end (bass at 5), slightly scooped but not hollow mids (4.5), bright but not harsh treble (6.5), and boosted presence (6.5) for clarity. Reverb is kept off for maximum articulation and dryness, matching the band's typical production style.

Sources