Made of Pain — Made Of Pain1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Made of Pain Solo Guitar Tone Settings — Made Of Pain

Made Of Pain · 2010s+ · rock

studio

Original Recording

Guitar
Unknown (no direct source for solo section guitar model on this recording)
Pickups
Unknown (no direct source for pickup type/model on this recording)
Amp
Orange Dual Dark 100 (profiled via Kemper, studio core tone)
Pickup Position
Unknown (not specified in sources; likely bridge pickup for solo cut, but cannot confirm)

Studio recording, year unknown (likely 2010s+ based on amp and effects). The Orange Dual Dark 100 is cited as the core tone via Kemper profiling. No direct evidence for exact guitar or pickup model used on the solo section.

Amp Settings

Mids
5.5
Bass
6
Gain
8
Reverb
2.5
Treble
7
Presence
6.5

Effects Chain

  • Gamechanger Audio Plasma · distortion
  • Boss DD-500 Digital Delay · delay
  • Boss BF-3 Flanger · flanger
  • Boss PH-3 Phase Shifter · phaser
  • Death By Audio Echo Dream 2 · delay

Guitar → Gamechanger Audio Plasma → Boss DD-500 Digital Delay → Boss BF-3 Flanger → Boss PH-3 Phase Shifter → Death By Audio Echo Dream 2 → Kemper (Orange Dual Dark 100 profile, digital reverb)

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Tone Character

  • heavily saturated and harmonically rich
  • tight low end with controlled bass response
  • cutting upper mids for solo clarity
  • pronounced pick attack and articulation
  • layered with modulation and time-based effects
  • dense, multi-layered ambience
  • dynamic and expressive phrasing
  • studio-processed, modern heavy sound
  • effects-driven, experimental solo textures
  • sustained, singing lead lines

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar or pickup model used for the solo section of 'Made of Pain' by Made Of Pain.
  • ⚠️Amp model (Orange Dual Dark 100 via Kemper) is cited as core tone, but no explicit amp settings for this song/solo; settings are estimated based on typical Orange high-gain usage and genre.
  • ⚠️Pedal and effects list is based on the artist's known rig from the cited Premier Guitar rundown, but no source ties specific pedals to the solo section of this song; effects included are those most likely used based on the artist's board and the audible effects in the recording.
  • ⚠️No pickup selector position is confirmed; bridge pickup is likely for solo cut but not verified.
  • ⚠️All settings and pedal order are best estimates based on available evidence and genre conventions.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section features a saturated, articulate high-gain lead tone typical of modern metal, with tight low end, balanced mids, and enough treble/presence for cut without harshness. Reverb is minimal, matching the dry, focused production style of the genre and era.

Sources