GuitarDistortedSolo80% confidence
Lost Prayer Solo Guitar Tone Settings — Zakk Wylde
Zakk Wylde · 2010s+ · rock
studio
Original Recording
Guitar
Wylde Audio Odin (prototype, double-coil pickups)
Pickups
Wylde Audio prototype double-coil (designed for single-coil-like clarity, liquid-y character)
Amp
Wylde Audio amp prototype (exact model unspecified, used throughout Book of Shadows II sessions)
Pickup Position
Bridge pickup
Studio recording, 2016 (Book of Shadows II). Zakk Wylde confirms exclusive use of Wylde Audio Odin guitar and Wylde Audio amp prototypes for all electric tones on the record, including 'Lost Prayer' solo. New prototype pickups with single-coil-like clarity. No Gibsons used on this record.
Amp Settings
Mids6.5
Bass6
Gain7.5
Reverb2
Treble7
Presence6.5
Effects Chain
- Wylde Audio Phaser prototype · phaser
- Dunlop Wylde Audio Wah (signature) · wah
- Dunlop Rotovibe or Uni-Vibe (for Leslie/chorus-like modulation) · modulation
- Wylde Audio Distortion (signature, prototype) · distortion
Wylde Audio Odin → Dunlop Wylde Audio Wah → Wylde Audio Phaser prototype → Dunlop Rotovibe/Uni-Vibe → Wylde Audio Distortion → Wylde Audio amp prototype (spring reverb)
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Tone Character
- liquid-y and smooth
- singing sustain
- rich harmonic overtones
- clear note separation
- expressive phrasing
- phaser sweep modulation
- touch-sensitive dynamics
- thick, vocal-like quality
- high-gain saturation
- slightly scooped mids
Notes & Caveats
- No exact amp model or numeric knob settings found in sources; amp and settings estimated based on Zakk Wylde's typical tones, amp type, and era.
- All electric tones on Book of Shadows II (including 'Lost Prayer' solo) used Wylde Audio Odin guitar and Wylde Audio amp prototypes per direct interview.
- Phaser, wah, and Uni-Vibe/Rotovibe effects explicitly mentioned by Zakk Wylde for this record; exact pedal models not specified.
- Settings estimated based on typical Wylde Audio/Marshall-style high-gain amp usage for melodic rock solos.
- Pickup selector inferred as bridge based on solo tone and Wylde's typical lead setup.
- No evidence of delay or chorus in solo; phaser and wah are confirmed by source and audible in recording.
- Settings cross-referenced with genre and era conventions for accuracy. Zakk Wylde's solo tone on 'Lost Prayer' is saturated and singing but not overly scooped, reflecting his typical high-gain Marshall/Blackstar setup with mids pushed for cut and clarity. The low reverb keeps the lead tight and upfront, while presence and treble are boosted for articulation without harshness.