GuitarCleanRiff80% confidence
Language I: Intuition Guitar Tone Settings — The Contortionist
The Contortionist · 2010s+ · metal
studio
Original Recording
Guitar
Strandberg Boden 7 (likely OS7 or custom shop, as used by Cameron Maynard in 2014)
Pickups
Seymour Duncan Sentient (neck), Nazgul (bridge) humbuckers
Amp
Fractal Audio Axe-Fx II (amp modeling, likely using a clean Fender or Roland JC-120 style patch)
Pickup Position
Neck pickup (Seymour Duncan Sentient)
Studio recording, 2014. The Contortionist are known for using Axe-Fx II for both live and studio work during the 'Language' era. No evidence of traditional tube amps on the studio recording for clean sections.
Amp Settings
Mids5
Bass5.5
Gain0
Reverb3
Treble6.5
Presence5.5
Effects Chain
- Chorus pedal (model unknown) · chorus
- Delay pedal (model unknown) · delay
- Reverb pedal (model unknown) or amp reverb · reverb
Strandberg Boden 7 → Chorus → Delay → Reverb → Axe-Fx II (clean amp model, digital reverb)
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Tone Character
- crystal-clear cleans
- lush and ambient
- full sounding clean sound
- chorus shimmer
- spacious and open
- modern progressive metal clean
- articulate note separation
- slightly compressed
- rich stereo spread
- no audible drive or breakup
Notes & Caveats
- Gain adjusted to 0 for clean tone
- No official rig rundown or studio documentation found for this specific song section; gear and settings inferred from era, band interviews, and typical practices.
- Axe-Fx II amp model and patch settings are estimated based on common clean tones for progressive metal in the 2010s.
- Pedal models are not confirmed; chorus, delay, and reverb are clearly audible but specific units are unknown.
- Guitar model inferred from band’s known 2014 gear and live photos; no direct studio confirmation.
- Pickup selector inferred from typical clean tone usage and audio characteristics.
- Settings cross-referenced with genre and era conventions for accuracy. The Contortionist's 'Language I: Intuition' riff tone is a modern djent/progressive metal sound: very high gain, tight low end, balanced mids (not scooped), crisp but not harsh treble, moderate presence for clarity, and a very dry, studio-tight sound with no audible reverb.