GuitarDistortedSolo80% confidence
Ölənə Qədər Solo Guitar Tone Settings — The Half
The Half · 2010s+ · rock
studio
Original Recording
Guitar
PRS Ted McCarty SC245
Pickups
PRS 57/08 humbuckers
Amp
Vox AC30
Pickup Position
Bridge pickup (likely, for solo cut and clarity)
Studio recording, year not specified but likely 2010s+ based on gear and context. Gear confirmed for artist but not explicitly for this song; inferred from artist's main rig. No explicit evidence tying this exact setup to 'Ölənə Qədər' solo, but PRS SC245 and Vox AC30 are described as core to the artist's tone in the most relevant source.
Amp Settings
Mids6.5
Bass6
Gain6
Reverb3.5
Treble7
Presence6
Effects Chain
- TC Electronic Flashback X4 Delay · delay
- Strymon BigSky Reverb · reverb
PRS Ted McCarty SC245 → TC Electronic Flashback X4 Delay → Strymon BigSky Reverb → Vox AC30
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Tone Character
- warm and full-bodied
- singing sustain
- slight atmospheric delay
- touch of spring reverb
- articulate lead presence
- smooth overdrive
- vintage-inspired clarity
- dynamic response
- emotive phrasing
- moderate compression
Notes & Caveats
- No direct source confirms the exact gear/settings for 'Ölənə Qədər' solo; PRS SC245, Vox AC30, and pedal choices are inferred from artist's main rig in Source 1.
- No numeric amp settings found; values estimated based on typical Vox AC30 settings for modern rock with PRS humbuckers.
- No explicit pickup selector info; bridge pickup is likely for solo clarity.
- Pedal models and effects inferred from artist's described rig and audible effects in similar recordings.
- Delay and reverb are clearly audible in the solo section; pedal models inferred from artist's main board.
- Settings cross-referenced with genre and era conventions for accuracy. The solo section of 'Ölənə Qədər' features a saturated, singing lead tone typical of modern alternative/indie rock, with clear midrange presence and enough gain for sustain without excessive fuzz. The bass is tight but not boomy, mids are forward for note clarity, and treble/presence are set to cut through the mix without harshness. Reverb is subtle, adding space but not dominating.