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Köprüaltı — Duman1 / 2
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Köprüaltı Solo Guitar Tone Settings — Duman

Duman · 1990s · rock

studio

Original Recording

Guitar
Gibson Les Paul Custom
Pickups
Humbucker (likely Gibson stock, model unspecified)
Amp
Peavey Classic 50 Head
Pickup Position
Bridge pickup

Studio recording, 1999. Gear inferred from Equipboard and era-specific interviews; no direct studio photo but consistent with period and band member's known rig for this album.

Amp Settings

Mids
7
Bass
5.5
Gain
6.5
Reverb
3
Treble
6.5
Presence
6

Effects Chain

  • Ibanez TS9DX Turbo Tube Screamer · overdrive
  • Delay pedal (model unknown) · delay

Guitar → Ibanez TS9DX Turbo Tube Screamer → Delay pedal (model unknown) → Peavey Classic 50 Head (spring reverb)

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Tone Character

  • gritty and melodic
  • raw, tube-driven crunch
  • singing sustain
  • warm, thick lead sound
  • clear note separation
  • slightly compressed attack
  • dynamic and expressive
  • not overly scooped mids
  • classic grunge/alt-rock bite
  • articulate upper mids

Notes & Caveats

  • ⚠️No direct studio documentation of the exact pedalboard or amp settings for the 'Köprüaltı' solo; gear and settings are inferred from Equipboard, genre, and era.
  • ⚠️Pedal and effect models are based on most likely candidates from period-correct Duman rigs and audible effects in the recording.
  • ⚠️Settings are estimated based on typical Peavey Classic 50 usage in 1990s alt-rock/grunge context; no numeric values found in sources.
  • ⚠️Pickup position inferred from solo tone (bright, cutting, with sustain) and typical Les Paul usage for solos.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Duman's 'Köprüaltı' solo has a classic rock crunch with a warm, mid-forward tone typical of Turkish rock in the early 2000s. The gain is set for crunchy sustain, mids are pushed for vocal presence, bass is solid but not boomy, treble is present but not harsh, and reverb is subtle for space without washing out the lead.

Sources