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Haberin Yok Ölüyorum — Duman1 / 2
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Haberin Yok Ölüyorum Riff Guitar Tone Settings — Duman

Duman · 2000s · rock

live

Original Recording

Guitar
Fender Stratocaster (exact model not specified, but Strat-style guitar confirmed for Kaan Tangöze in this era)
Pickups
Single-coil pickups (standard Stratocaster configuration, likely stock Fender single-coils)
Amp
Marshall JCM2000 DSL 201
Pickup Position
Bridge pickup

Live performance and likely studio amp for 'Haberin Yok Ölüyorum' riff section, as confirmed by video evidence from 2003 Bostancı Gösteri Merkezi concert. No explicit studio session info, but live rig is well-documented for this era and song. Pedals confirmed from forum and Equipboard sources.

Amp Settings

Mids
6.5
Bass
6
Gain
6
Reverb
2.5
Treble
6.5
Presence
6

Effects Chain

  • Ibanez TS9DX Turbo Tube Screamer · overdrive
  • Boss DD-3 Digital Delay · delay

Fender Stratocaster → Ibanez TS9DX Turbo Tube Screamer → Boss DD-3 Digital Delay → Marshall JCM2000 DSL 201 (spring reverb on amp)

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Tone Character

  • gritty and melodic
  • raw, edge-of-breakup crunch
  • tight and punchy attack
  • mid-focused drive
  • clear note definition
  • dynamic and percussive strumming
  • slight delay ambience
  • warm, slightly compressed
  • articulate single-coil clarity
  • moderate sustain

Notes & Caveats

  • ⚠️No explicit studio session documentation for the exact guitar model or amp settings; inference based on live rig from the same era and song.
  • ⚠️No numeric amp knob settings found in sources; settings estimated based on typical Marshall JCM2000 DSL 201 usage in early 2000s Turkish rock and grunge context.
  • ⚠️Pickup position inferred from typical riff tone and genre; not directly stated in sources.
  • ⚠️Pedal settings not specified in sources; only pedal models and usage confirmed.
  • ⚠️No evidence of effects loop usage or additional modulation effects for the riff section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Duman's 'Haberin Yok Ölüyorum' riff features a crunchy, mid-forward rock tone typical of Turkish alternative rock in the early 2000s, likely using a Marshall-style amp with moderate gain, balanced EQ, and subtle reverb for space. The tone is punchy but not overly saturated, with enough mids to cut through and a touch of presence for clarity.

Sources