GuitarDistortedSolo80% confidence
Bu Akşam Solo Guitar Tone Settings — Duman
Duman · 2000s · rock
studio
Original Recording
Guitar
Gibson Les Paul Custom Lefty
Pickups
Gibson humbuckers (stock Les Paul Custom)
Amp
Marshall JCM2000 DSL 201
Pickup Position
Bridge pickup
Studio recording, circa 2002 (from the album 'Belki Alışman Lazım'). Gear confirmed for era and live performances; no evidence of alternate guitars/amps for the solo. Boss DD-3 Digital Delay pedal confirmed in use by Kaan Tangöze for Duman solos of this era.
Amp Settings
Mids7
Bass6
Gain6.5
Reverb3
Treble6.5
Presence6
Effects Chain
- Boss DD-3 Digital Delay · delay
Guitar → Boss DD-3 Digital Delay → Marshall JCM2000 DSL 201 (spring reverb on)
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Tone Character
- singing sustain
- warm and mid-forward
- slightly compressed
- articulate single notes
- moderate gain with clarity
- classic rock/grunge solo sound
- touch-sensitive dynamics
- delay repeats for spaciousness
- no excessive brightness or scooping
- smooth lead voice
Notes & Caveats
- No direct studio amp knob settings found; amp and pedal models confirmed for era and live, settings estimated based on typical Marshall JCM2000 DSL 201 usage for rock/grunge solos.
- Boss DD-3 Digital Delay confirmed as used by Kaan Tangöze, but exact delay settings not specified in sources.
- No evidence of additional pedals (overdrive, chorus, etc.) for this solo; only delay is clearly audible.
- Pickup position inferred from typical Les Paul solo usage and tone character.
- Settings are estimated based on genre, amp, and era; not directly cited from studio notes.
- Settings cross-referenced with genre and era conventions for accuracy. Duman's 'Bu Akşam' solo features a classic rock/hard rock crunch with a thick, mid-forward tone typical of Kaan Tangöze's Marshall-style setups from the early 2000s. The gain is set for saturated leads without modern metal fizz, mids are pushed for vocal presence, and reverb is subtle, matching the production style and genre conventions.