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Köprüaltı — Duman1 / 2
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Köprüaltı Riff Guitar Tone Settings — Duman

Duman · 2000s · rock

studio

Original Recording

Guitar
Fender Stratocaster (likely 1970s-1990s Japanese or American Standard, as used by Kaan Tangöze in studio era)
Pickups
Single-coil (Fender stock single-coils, likely ceramic or Alnico V)
Amp
Peavey Classic 50 Head
Pickup Position
Bridge pickup

Studio recording, 1999-2000 (Eski Köprünün Altında album). Gear confirmed by Equipboard for Duman's signature sound. No evidence of alternate guitars/amps for this riff section.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
2.5
Treble
6.5
Presence
5.5

Effects Chain

  • Ibanez TS9DX Turbo Tube Screamer · overdrive

Fender Stratocaster → Ibanez TS9DX Turbo Tube Screamer → Peavey Classic 50 Head (spring reverb on)

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Tone Character

  • gritty and raw
  • mid-forward crunch
  • warm tube saturation
  • tight and percussive attack
  • slightly compressed
  • melodic yet aggressive
  • dynamic pick response
  • articulate chord definition
  • minimal ambience
  • focused low end

Notes & Caveats

  • ⚠️No direct source with exact amp knob settings for 'Köprüaltı' riff; settings estimated based on Peavey Classic 50 typical use in grunge/alt-rock and Equipboard's confirmation of amp/pedal.
  • ⚠️No explicit confirmation of pickup selector position, but bridge pickup is standard for crunchy, percussive riff tones in this genre and audible in recording.
  • ⚠️No evidence of additional pedals or effects for the riff section beyond the TS9DX and amp drive; no chorus, delay, or modulation audible.
  • ⚠️No evidence of effects loop use or amp-based effects beyond mild reverb.
  • ⚠️Pedal settings not specified in sources; typical TS9DX settings inferred.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Köprüaltı's riff tone is classic 90s Turkish rock: crunchy but not high-gain, with a mid-forward, British-voiced amp character. Kaan Tangöze typically used Marshall-style amps with moderate gain, pronounced mids, and subtle reverb, matching the genre and era's production.

Sources