GuitarDistortedSolo80% confidence
Hosanna Guitar Tone Settings
Hillsong UNITED & Brooke Ligertwood · 2000s · other
studio
Original Recording
Guitar
Gretsch G6136DC White Falcon Double Cutaway
Pickups
Gretsch Filter'Tron humbuckers
Amp
Unknown (likely Vox AC30 or similar, based on era and genre, but not confirmed for this recording)
Pickup Position
Neck pickup
Studio recording, 2006 (United We Stand era). Guitar confirmed from Equipboard for this album. No explicit amp or pedal info for the solo section of 'Hosanna'; pedal and amp details are inferred from typical Hillsong United setups of the era.
Amp Settings
Mids6.5
Bass6
Gain4
Reverb5.5
Treble6.5
Presence6
Effects Chain
- Delay pedal (model unknown) · delay
- Reverb pedal (model unknown) · reverb
Gretsch G6136DC White Falcon → Delay pedal → Reverb pedal → Amp (likely Vox AC30 or similar)
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Tone Character
- ambient and spacious
- chimey and clear
- smooth sustain
- lush delay repeats
- reverb-drenched
- articulate single-note lines
- slight breakup on attack
- not overly compressed
- open and airy
- warm neck pickup character
Notes & Caveats
- No explicit amp or pedal models/settings for the solo section of 'Hosanna' found in sources; amp and effects inferred from genre, era, and audible characteristics.
- Guitar model confirmed for the album, but not specifically for the solo section; however, White Falcon is highly likely based on live/studio footage and typical usage.
- Amp model is not confirmed; Vox AC30 is a common choice for Hillsong United in this era but not explicitly cited for this track.
- Pedal models are not confirmed; delay and reverb are clearly audible in the solo, but exact pedal/amp sources are unknown.
- All knob settings are estimated based on typical Vox AC30/Hillsong United tones from the 2000s.
- Settings cross-referenced with genre and era conventions for accuracy. The solo section in 'Hosanna' features a clear, edge-of-breakup tone with moderate warmth and forward mids, typical of Hillsong UNITED's use of Vox or Matchless-style amps. The reverb is lush but not overwhelming, matching the ambient worship context, and the EQ is balanced for clarity and presence in a dense mix.