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Bu Akşam — Duman1 / 2
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Bu Akşam Riff Guitar Tone Settings — Duman

Duman · 2000s · rock

studio

Original Recording

Guitar
Gibson Les Paul Custom Lefty
Pickups
Gibson humbuckers (stock, likely 490R/498T or similar)
Amp
Marshall JCM2000 DSL 201
Pickup Position
Bridge pickup

Studio recording, 2002. Guitarist Kaan Tangöze is seen using a Gibson Les Paul Custom Lefty and Marshall JCM2000 DSL 201 in live performances from this era. No evidence of alternate guitars or amps for the studio version. Boss DD-3 Delay is confirmed as a pedal in use by the band for this era. No evidence of additional pedals or effects for the riff section.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
2.5
Treble
6.5
Presence
6

Effects Chain

  • Boss DD-3 Digital Delay · delay

Guitar → Boss DD-3 Digital Delay → Marshall JCM2000 DSL 201 (with spring reverb)

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Tone Character

  • gritty and melodic
  • raw, crunchy distortion
  • warm, tube-driven character
  • tight and percussive rhythm
  • slightly compressed attack
  • full-bodied midrange
  • articulate pick attack
  • moderate sustain
  • classic grunge/alt-rock edge
  • balanced low end

Notes & Caveats

  • ⚠️No direct studio recording rig rundown found; gear and settings inferred from live performance evidence and genre/era conventions.
  • ⚠️Amp and pedal settings estimated based on typical Marshall JCM2000 DSL 201 usage for grunge/rock tones and the band's described sound.
  • ⚠️No evidence of additional pedals (overdrive, fuzz, modulation) used for the riff section; only Boss DD-3 Delay confirmed for this era.
  • ⚠️Pickup choice inferred from typical Les Paul usage for crunchy rhythm parts and the tone heard on the recording.
  • ⚠️Presence and reverb settings are estimated; no explicit numeric values found in sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Duman's 'Bu Akşam' riff has a classic crunchy, mid-forward Turkish rock tone typical of Kaan Tangöze's style, likely using a Marshall-type amp with moderate gain, slightly boosted mids, and balanced bass/treble. The production is dry with just a touch of reverb, matching early 2000s Turkish rock conventions.

Sources